Over the last year, I and/or my Dear Wife have watched 107 movies; some that were new releases (i.e Furiosa: A Mad Max Saga), some that were vintage or classics (i.e. Heaven Knows, Mr. Allison), and some that were repeat viewings of old favorites (i.e. Rogue One).
Here are my 10 favorite movies I saw for the first time in 2024. This is in no way a 10-best list, particularly since more than half of them were originally released before this year, sometimes long before (the oldest is from 1948). They are just the 10 movies I enjoyed the most that I hadn’t seen before. They are presented in the order in which I watched them, followed by a list of honorable mentions.
What movies would you put on your list of favorites?
- The Holdovers (2023) – Director Alexander Payne’s wonderful Christmas-adjacent movie starring Paul Giamatti, Da’Vine Joy Randolph, and Dominic Sessa. Randolph won a well-deserved Oscar for best supporting actress for playing the the school’s cook who is the bereaved mother of a young Vietnam soldier. The Holdovers tells the story of a misfit classics professor (Giamatti) who has to look after a small group of prep school students who have no place to go over the holidays, and the staff cook who lives at the school. It is a bittersweet story of how three characters come to terms with the circumstances life has given them. (Viewed at The World Theatre, Kearney. Available for streaming on Amazon Prime.)
- Rustin (2023) – One of the neglected dirty secrets of the 1950s & 60s civil rights movement was that it could have a distinctly homophobic aspect to it. And because of that, the story of how openly gay Bayard Rustin, a close adviser of Rev. Dr. Martin Luther King Jr., played a key role in organizing the 1963 March on Washington where Dr. King gave his famous “I Have a Dream” speech, has been sadly neglected.This film, produced by Barack and Michelle Obama, helps bring Rustin’s story the attention it deserves. Colman Domingo leads the cast as the activist Rustin, accompanied by Aml Ameen as Dr. King; Chris Rock doing a dramatic turn as Roy Wilkins, the president of the NAACP; and Jeffrey Wright as the U.S. Representative for Harlem, Adam Clayton Powell Jr. (We’ll see Wright show up again in a another of my favorites for 2024). (Viewed at The World Theatre, Kearney. Available for streaming on Netflix.)
- Anatomy of a Fall (2023) – A French murder mystery, with dialog in French and English, is a trial drama with actress Sandra Hüller playing a writer trying to prove her innocence in the death of her writer husband at a chalet in the French mountains. The less I say about this movie, the better, except to note that things are rarely entirely what they seem. The rare whodunit where the identity of the murderer may not be the most important question the movie will (or will not) answer.Anatomy of a Fall won the Oscar for best original screenplay. Hüller will also show up in one of my honorable mention films, The Zone of Interest. (Viewed at The World Theatre, Kearney. Available for streaming on Hulu.)
- Dune: Part 2 (2024) – The one big-budget blockbuster on my list of favorites this year. I was fortunate to see the second half of Denis Villeneuve’s epic presentation of Frank Herbert’s environmental science fiction epic at an IMAX theater near where my 97-year-old father lives in the Twin Cities.There have been multiple attempts to adapt Herbert’s sprawling, psychedelic book for the theater or television, and none of them prior to Villeneuve’s have been particularly successful (though David Lynch’s 1984 version was a fascinating misfire). Villeneuve took much the same approach as Peter Jackson did with The Lord of the Rings, staying true to the overall narrative but making significant changes to make the story filmable. Watch it at home, but go see it in the theater if you ever get the chance during a re-release (Viewed at the AMC IMAX, Roseville, MN. Available for streaming on MAX.)
- American Fiction (2023) – The second movie starring Jeffrey Wright on my Top 10 list for 2024 (even though both of them came out in 2023). Wright plays a frustrated college professor/author whose books get miscatagorized as “African American Fiction” instead of as the correct “Mythology.” As an act of satire and defiance, Wright’s character creates a prison novel with every blaxploitation cliché under the pseudonym “Stagg R. Leigh.” He then insists that it be published under the unpublishable title of “F@#&,” except using the real word. To his horror, the book becomes a bestseller and Leigh and instant celebrity.Alternately laugh-out-loud funny and thought provoking, this is the perfect movie for a time when we pretend to talk about Critical Race Theory, wonder what is happening to publishing, and think about what is happening to our universities. Director Cord Jefferson won the Oscar for best adapted screenplay. (Viewed at The World Theatre, Kearney. Available for streaming on Amazon Prime.)
- Hundreds of Beavers (2022/2024) – If this were a Ten Best list, should I ever have had to hubris to creates such a thing, Hundreds of Beavers would emphatically not be on it. But this black & white live action homage to the classic Looney Tunes battles among Elmer Fudd, Bugs Bunny and Daffy Duck has to be some of the most fun I’ve had in a theater for a long time. It is almost impossible to describe, so I will keep it simple. It tells the story of a mighty trapper trying to tap enough beavers in the frozen north so that he has the money to marry his sweetheart. All of the beavers, bunnies and other animals are played by actors in mascot costumes. Yes, it is as silly as it sounds. And you want to see it. (Viewed at The World Theatre, Kearney. Available for streaming on Amazon Prime and multiple other services.)
- Wicked Little Letters (2023) – This is a nasty little treat of a black comedy staring Olivia Colman that tells the true story of an investigation of a set of crude, rude and socially unacceptable letters sent out to residents of the small British town of Littlehampton in the early 1920s. As is generally the case with such movies, the story is heavily fictionalized but has a solid core of reality.One of the The Seven Secrets About the Media “They” Don’t Want You to Know is “All Media Are Social,” and this movie is all about how media (in this case, private letters) are emphatically social. Olivia Colman and Jessie Buckley are a hoot as the antagonists over the long series of nasty letters. (Viewed at The World Theatre, Kearney. Available for streaming on Netflix.)Warning: The Red Band trailer below is definitely R-rated with profane language. Not for the children…
- The Big Combo (1955) – One of the great film noirs that demonstrated how dark, daring, sexy movies could get made despite all of the limitations of the Code Era. The movie stars Cornel Wilde, Richard Conte and Brian Donlevy, along wtih Jean Wallace. No spoilers here, but it has one of the most explicit unseen scenes of any movie made under the Production Code. It shows up once or twice a year on Turner Classic Movies (which is where I saw it). But since it was not properly copyrighted, it is in the public domain, so you can watch the whole the whole thing on YouTube.
- Heaven Knows, Mr. Allison (1957) – There are a number of movies out there telling the story of a tough guy/sailor stranded on an island during The War and finding the only other adult there to be a nun/teacher/otherwise-unavailable woman. (See Cary Grant and Leslie Caron in 1964’s Father Goose as an example.) Heaven Knows, Mr. Allison is an exceptional outing in the genre, starring Robert Mitchum and Deborah Kerr as the leads. The screenplay got an Oscar nomination, as did Kerr.The movie itself doesn’t do anything special other than provide a fantastic canvas for these two actors to show how war and isolation can transform people. I saw it on Turner Classic Movies, but it can also be rented/purchased through Amazon.
- The Wild Robot (2024) – A shoe-in for a nomination for best feature-length animated film, and if Pixar’s Inside Out 2 were not the animated feature box office champ, it ought to be in the running to win. But nothing will stop the Pixar juggernaut. It’s the sweet story of a misplaced robot having to care for an abandoned young goose. Likely the last in-house produced animation from Dream Works, it stars the vocal talents of Lupita Nyong’o, Pedro Pascal, Kit Connor, Bill Nighy, Stephanie Hsu, Mark Hamill, Catherine O’Hara and Ving Rhames. I defy you to show me another animated film with such a banger voice cast. If you can possibly find a way to still see it in the theater, please do so. I saw it at my local Golden Ticket commercial theater, and I’m hoping The World here in Kearney will get it this spring.
Ralph’s Honorable Mention Films
Along with the above list, here are several additional movies I really enjoyed in 2024.
- Les Miserabes (2012) – Dear Wife and I were supposed to see the play in Lincoln last winter, but we were blocked from traveling by snow and bitter cold. So when we saw it was playing at the Council Bluffs’ AMC for a revival screening, we went. Wonderful to see on the big screen, and that’s where we saw trailers for Wicked Little Letters and The Ministry of Ungentlemanly Warfare.
- The Zone of Interest ( 2023) – The banality of evil through the eyes of the family of the superintendent of Auschwitz . Winner of Oscars for best international feature film and best sound. (And a nominee for best picture, director and adapted screenplay.) Needless to say, not the feel-good movie of the year…
- Civil War (2024) – More a journalism/war correspondent film than a war film. Kirsten Dunst plays a modern war photographer who echos WWII photographer Lee Miller (subject of the 2023 movie Lee that I hope to see early in 2024).
- Furiosa – A Mad Max Saga (2024) – I was underwhelmed by this prequel to Mad Max Fury Road when I saw it at the IMAX, but I suspect that’s in large part because it is unfair to compare it to Fury Road, one of the best action/chase films ever made. I need to see it again.
- Call Northside 777 (1948) – The oldest of the films on my list this year, it stars Jimmy Stewart as a Chicago newspaper reporter trying to clear the record of the wrongfully convicted murder suspect played by Richard Conte (who played the very guilty gangster in The Big Combo). An excellent example of the docu-noir genre.
- Lincoln (2012) – Steven Spielberg’s Lincoln, dealing with the Civil War president’s efforts to free the enslaved people, was the the second 2012 film that I first saw in 2024. It was nominated for a dozen academy awards, winning best actor for Daniel Day-Lewis and best production design. Despite sounding like a seriously “good-for-you” movie, it was tremendously entertaining when I got to see it at a World Theatre screening.
- The Best Christmas Pageant Ever (2024) – A fresh faith-based Christmas movie that manages to tell a heart-tugging story without getting all heavy handed as such films can tend to be. Based on the 1972 novel of the same name, it tells the story of six out-of-control, nearly feral children who take over a church’s Christmas pageant. When it was screened it at our local community theatre, it sold out all three showings.
- Klaus (2019) – I cannot for the life of me understand why Klaus has not taken on the classic status of such animated Christmas movies as the Benedict Cumberbatch version of The Grinch. A fantastic non-standard Santa origin story.
- The Ministry of Ungentlemanly Warfare (2024) – Guy Ritchie’s highly creative take on the true story of Operation Postmaster, the first mission of the the British WWII Special Operations Executive. Ian Fleming is a minor character in the film, and he used the leader of the raid, Major Gus March-Phillipps, as the inspiration for his James Bond series of novels. The book by historian Damien Lewis gives the full, unfictionalized vision of this incredible group of commandos and is well worth the read.
And one last movie from New Year’s Eve: The Six Triple Eight (2024) – One more little-told story from World War II about the Black women of the 6888 battalion, the only all-black female unit to serve in Europe. These women solved the mail-delivery-to-the-troops-fighting-in-Europe problem that no one else could or would tackle. Yes, it is a sentimental Tyler Perry film, but it tells an important story of hope at a time when we really need it. Currently streaming on Netflix. (Also, a prime example of why we need people other than just white males making movies!)
Those were my favorite movies first seen in 2024. What were yours?