Return to “Is There Ever Grace For Being Stupid on Social Media?”

Carson King and his sign asking for beer money.

You may have seen the heartwarming story about  Carson King, a young man who held up a sign at a recent University of Iowa / Iowa State University football game soliciting beer money. The sign, seen on ESPN’s GameDay, went viral on social media, and King ended up bringing in at least $600. (But stay with us, that number’s going to grow. And this story is going to end just fine for Carson King, but not for everyone involved.)

Once King realized how much money he had collected through the online money transfer service Venmo, he decided he needed to do something good with his windfall.  When he announced he was going to donate the money to University of Iowa Stead Family Children’s Hospital, Anhauser Busch and Venmo both pledged to match the money he had raised. Contributions then poured in, and although reports aren’t completely clear on this, it seems that the total amount raised rapidly exceeded $1 million. (But stay with us, that number’s going to grow.)  AB also was discussing using King as some kind of influencer, perhaps even putting his face on beer cans.

Here’s a story from ABC News that ran when the story was new.

The Des Moines Register had written about the King story when the story was breaking, and there was so much interest in King, the paper decided to do a full on profile.

As reporter Aaron Calvin worked on his article, it was mostly complimentary, but toward the end of it, he discussed a pair of racist jokes King had posted as a teen-ager.  Before publishing the story, Calvin called King to talk about the tweets.  King expressed regret to the reporter, and before the story was published, King had spoken with local TV stations about the tweets.  Interestingly enough, King did not complain about how he had been treated by the Register.

It’s worth noting that the offensive tweets, though written about in the Register, got very little play in the paper.  The TV stations running King’s apology, however, gave them big attention.

There were, of course, consequences to this story, but they weren’t necessarily predictable.

  • Not surprisingly, Busch Light distanced themselves from King, although they still agreed to make their pledged contributions to the children’s hospital.
  • Iowa Oktoberfest held in Waterloo, Iowa, removed Busch Light from their tap list for the annual festival in response to the brewer’s rejection of King.
  • Iowa’s governor Kim Reynolds declared Saturday, Sept. 28th to be Carson King Day. “Carson King can showcase who we are as a people, not only by selflessly donating to a worthy cause, but spreading the message of generosity,” the governor’s proclimation  said.
  • And the reporter who wrote the story for the Des Moines Register left the Register after the paper received hundreds of complaints about the story. (It also turned out that the reporter had had a few questionable tweets of his own year ago in his feed. These tweets were widely publicized by “influential right-wing media figures.” Soon after, Calvin started getting death threats.  The story about Calvin from BuzzFeed says he was fired from the Register.) You can get a feel for what the online environment was like by reading the comments from the television reporter’s tweet above.

There are a host of questions raised by this cautionary story:

  • When should reporters dig into a subject’s social media history?  And what should they do with what they find? Josh Blackman, writing for the libertarian law blog The Volokh Conspiracy gives an in-depth look at the issue, considering a couple of cases.  Blackman concludes:Regrettably, the norm today is predictable: whenever anyone is thrust into the spotlight, for even the most insignificant reasons, an army of social media spelunkers climb through every crevice of the insta-celebrity’s timeline to find something–anything–to embarrass him. Conservatives do it to liberals. And liberals do it to conservatives. This circular firing squad needs to end–eventually, everyone can be cancelled. He that is without without social media sin among you, cast the first tweet.
    What, then is the relevance of old, offensive tweets? To be sure, these posts shed some light into a person’s views at an early juncture of his life. But I am generally skeptical they provide much insight into how they currently approach the world–especially when the postings are old, and were published before a person’s professional career began.How should our society weigh these old postings? I do not propose some sort of statute of limitations, in which past writings are off-limits. Rather, I suggest a different test: when a person’s established body of work is entirely inconsistent with, and indeed in tension with earlier postings, such nascent musings should be entitled to less weight. Under the opposite rule, everyone will be forever tainted by their worst moments. Our society should afford those aspiring for higher status the opportunity to grow, reflect, and recant.
  • Did people over-react to the story about King’s two offensive tweets? Remember, while Mr. King did not get to continue to have a relationship with Busch Beer, he was lionized by Iowans and had the governor proclaim Carson King Day.  The Des Moines Register had people saying the paper should be driven out of business; the beer company was boycotted; the reporter got death threats.  My friend communications professor Brian Steffen, a life-long Iowan has posted his thoughts about this on his Facebook page:I should not have to say this, yet I will, again: The Register screwed up horribly re Carson King. Yes, it deserves criticism, plenty of it. But, no, no one deserves to die over this. And the Register certainly shouldn’t be pushed out of business after serving the city and state for the past 170 years.Cancelling your subscription to show your moral outrage — if you ever had a subscription to start with, by the way — will do nothing for you other than further push your communities and state into the cultural and inequality backwaters.
  • How does the story end? The Cedar Rapids Gazette reports that Carson King raised more than $2.9 million for University of Iowa Children’s Hospital. He donated all the money he raised, except for enough to buy one case of Busch Light.  What should be a happy ending.  If only it hadn’t made quite so many people quite so angry.

Want more on offensive social media posts coming back to haunt someone? See the story on Guardians of the Galaxy director James Gunn.

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Media Tweets: Joseph Maguire Edition (with a T.S. Eliot shout out)

A brief roundup of media news on the Twitter machine. The main focus today is on talk about Acting Intelligence Chief Joseph Maguire’s testimony because the House Intelligence Committee:

Don’t assume that a reputable newspaper’s/outlet’s editorial page automatically shapes the quality of its news. The editorial page may shape the organization’s world view, but it shouldn’t shape it’s commitment to the news. A good reminder from Professor Michael Socolow.


A great reminder from Professor Jeremy Littau about the role of the watchdog press with Justice Potter Stewart’s comment from the Pentagon Papers case.


In addition to talking about media in general here, every once in awhile we talk poetry.  Great T.S. Eliot quote from Little Gidding.

 

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How Should Brands Remember 9/11 in Social Media?

The events of Sept. 11, 2001, have left scars on the United States, and indeed the entire world.  And it is only natural to respond to those intense feelings every year on what is now observed as Patriot Day. The question then becomes: What is the appropriate way for companies and organizations to respond?

AT&T made what is considered one of the worst branded tweets on 9/11 in 2013 when they posted an image showing a phone being held up to take a photo of the pillars of light rising up from the site of the original Twin Towers. (It seemed just a bit too much like product placement.)

AT&T Never Forget tweet 2013

The post was widely mocked and criticized on Twitter; the following day AT&T gave a full-throated apology:

We’re big believers that social media is a great way to engage with our customers because the conversation is constant, personal and dynamic.

Yesterday, we did a post on social media intended to honor those impacted by the events of 9/11. Unfortunately, the image used in the post fell woefully short of honoring the lives lost on that tragic day.

I want to personally express to our customers, employees, and all those impacted by the events of 9/11 my heartfelt apologies. I consider that date a solemn occasion each year, a time when I reach out to those I was with on that awful day, share a moment of reflection for the lives lost and express my love of country. It is a day that should never be forgotten and never, ever commercialized. I commit AT&T to this standard as we move forward.


Journalist Megh Wright collected a number of examples this year of images appropriate and not, starting with these two.  Are Betty Boop and a flat pizza from a pizza shop appropriate commemoration or exploitative?

I like Funko figures as much as the next guy, but I’m sure I understand the connection between this image and 9/11. (Yes, I know the flag is flying at half staff.)

And I’m really not sure about images of Before, During and After images of the World Trade Center painted on guitars. (Actually, I’m quite sure about them…)

Fast Company had a good analysis of the problem. Companies that send out too blatant of messages can be accused of exploiting people’s feelings about this tragedy, while ignoring the day while going on with your usual twitter feed can open your organization to charges that you just don’t care. The best posts were “neutral — a flag, a solemn photo from the say, a meaningful graphic. Absent were cheap tie-ins and corporate logos imposed over September 11 imagery.”

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Remembering 9/11 – In the movies and on the road

Today is the 18th anniversary of the attacks of September 11th. In memory, here are a couple of posts I’ve put up in the past. 

The first is a look at cameos the Twin Towers made in numerous Hollywood films:

The second has nothing to do with the media. It’s a brief story about a ride I took on my motorcycle to the United 93 Memorial on a rainy June day back in 2004. It was written shortly after I had recovered from a fairly serious illness, and I was happy just to be back on the road. I’ve taken to posting every year on 9/11.

Me and my old KLRTook a short ride last Saturday. The distance wasn’t much, under 200 miles, but I went through two centuries of time, ideas, and food. Which felt really good after having been ill for the last month-and-a-half.

Headed out of Morgantown about 7:30 a.m. on I68. Stopped at Penn Alps for breakfast. Nice thing about being on insulin is that I can include a few more carbs in my diet these days. Pancakes, yum! (Penn Alps, if you don’t know, runs a great Pennsylvania Dutch breakfast buffet on weekends that is well worth riding to. Just outside of Grantsville, MD.)

Then off on the real purpose of the trip. Up US 219 toward the Flight 93 Sept. 11 memorial. The ride up north on 219 is beautiful; I’ve ridden it before. I always like when you come around the bend and see the turbines for the wind farm. Some people see them as an eye sore; for me they’re a potential energy solution and a dramatic sight. Chalk one up for industrial can be beautiful.

Continue on up to Berlin, PA, where I take off on PA 160 into Pennsylvania Dutch country. I start seeing hex signs painted on bright red barns, or even hung as a wooden sign. Not quite cool enough to put on my electric vest, but certainly not warm. Then it’s heading back west on a county/state road of indeterminate designation.

Now I’m into even more “old country” country. There’s a horse-and-buggy caution sign. Off to the left there’s a big farmstead with long dark-colored dresses hanging from the line, drying in the air. They may not stay dry, based on what the clouds look like.

The irony of this ride hits pretty hard. I’m on my way to a memorial of the violence and hatred of the first shot of the 21st century world war, and I’m traveling through country that is taking me further and further back into the pacifist world of the 19th century Amish and Mennonites.

A turn or two more, following the map from the National Parks web site, and I’m on a badly scared, narrow road that is no wider and not in as good of shape as the local rail trail. (Reminds me why I like my KLR!)

It’s only here that I see the first sign for the memorial. No one can accuse the locals of playing up the nearby memorial. Perhaps more flags and patriotic lawn ornaments than usual, but no strident statements. And then the memorial is off a half-mile ahead.

The crash site is to the south, surrounded by chain-link fencing. No one but families of the victims are allowed in that area. Off a small parking area is the temporary memorial, in place until the National Park Service can build the permanent site. There’s a 40-foot long chain-link wall where people have posted remembrences, plaques on the ground ranging from hand-painted signs on sandstone, to an elaborately etched sign on granite from a motorcycle group. The granite memorial is surrounded by motorcycle images.

The messages are mostly lonely or affirming. Statements of loss, statements of praise for the heroism of the passengers and crew. But not statements of hatred. It reminds me in many ways of the Storm King Mountain firefighter memorial. Not the formal one in Glenwood Springs, but the individual ones out on the mountain where more than a dozen wildland firefighters died several years ago.

It’s time to head home. When I go to join up with US 30, it’s starting to spit rain, so I pull out the rain gloves, button down the jacket, and prepare for heading home. It rains almost the whole way back PA 281, but I stay mostly dry in my Darien. The only problem is the collar of my too-big jacket won’t close far enough, and water dribbles down inside. It reminds me that riding in the rain, if it isn’t coming down too hard, can be almost pleasant, isolated away inside a nylon and fiberglass cocoon.

I’m home before 1 p.m.. I’ve ridden less than 200 miles. But I’ve ridden through a couple of centuries of people’s thoughts, actions, and food. And I’m finally back on the bike.

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Guest Blog Post: World of Warcraft Classic Sinks its Claws into Twitch and Ninja

Today’s guest blog post comes from occasional contributor and friend-of-the-blog Aaron Blackman.  Aaron often streams video game play on Monday nights at 7 p.m. at https://www.twitch.tv/flagg05 and he can be found on Twitter at @flagg05.

On August 26th 2019, Blizzard Entertainment did a curious thing. After announcing it two years prior, the company rereleased their monumental Massively Multiplayer Online Role-Playing Game (MMORPG), World of Warcraft. Dubbed World of Warcraft (WoW) Classic, the game strips away all of the game’s seven expansions, reducing most of the content and rolling back the gameplay to a place the game was in back in August 2006.

Diehard fans of the game had been craving a return to this experience. Nostalgia mixed with the original game mechanics and grind that made its debut in November 2004 brought a lot of players back to the fictional world of Azeroth. Blizzard vastly underestimated how popular WoW Classic would be, forcing the population into a handful of servers. These realms filled up so fast that a queue to get into the game would kick in, and with several thousand gamers waiting for their chance to play. My own main character is on the heavily populated Faerlina server, and I sat in queue with 18,706 players ahead of me in line the day after release.

During that first week of WoW Classic, streamers also flocked to the game, pushing their bodies to the limit with 24-hour streams. The audience was there too, over 1 million viewers were watching on launch day, and 47.1 million hours of the game were watched in the first week according to The Esports Observer.

Popular streamers like Shroud, TimTheTatman, Cloakzy and DrLupo all temporarily abandoned their main games to ride the WoW Classic hype train. What’s curious is that they all did so organically, they weren’t being paid as sponsored streamers to showcase the game. It was fascinating to see, as they enjoyed the game and a possible break from the games that bring them the highest number of viewers, and in turn, revenue. It seemed inevitable that World of Warcraft Classic would eventually pull Ninja into its orbit.

On Tuesday, I watched Ninja stream WoW Classic on Mixer  for around 45 minutes. I guess I was just curious. Would he like the game? Would the random passerby recognize him in-game? Would fans get upset that he wasn’t playing Fortnite?

The answer to all of those was a resounding yes. The game has its quirks, but Ninja seemed to be enjoying it quite a bit that first night he streamed the game. He even came back the next day for a 10-hour stream. Players followed him around the world like a lost puppy, hoping for a chance to see their character on his screen or for a shot to talk to the legend. As for the viewers on Mixer, Ninja had plenty of supporters excited for him changing things up, but others were vocally bored not shy to let everyone know that WoW wasn’t nearly as action-packed as Fortnite.

Prominent streamer Ninja playing the original World of Warcraft.

In World of Warcraft, players can group up into a party of five while wandering the lands of Azeroth, tackling difficult enemies or quests together. With Ninja’s character name “Ninjathewise” plastered on the top-left of the game, it’s easy for fans to search him out in the game and bombard him with party invitations. The constant stream of party invitations started to annoy the streamer, who eventually had to toggle the option to allow invitations off just so he could play the game.

Being famous also altered how Ninja approached the game, as his inventory was filled with large backpacks that are quite difficult to come by for such a low-level character. At Level 15, he was challenging enemies a few levels above him, but often found support from random viewers that were tagging along.

At other points, he still experienced what makes WoW Classic so special: the spontaneous community that is temporarily created while questing. Some quests require a special enemy to be defeated, who then drops a unique item needed to complete the quest. In current versions of WoW, anyone attacking that enemy could then pick up a copy of that item. In WoW Classic, only the first person or party to hit the enemy could get a copy (this is called tagging an enemy).

One way around this is to invite nearby players also on the same quest so more people can complete their tasks and move on, and ideally avoid waiting in line.

I’m curious to see how long streamers continue to play WoW Classic post-launch. Depending on what streamers look to do once they hit the max player level of 60, we’ll likely see a cycle of excitement as each phase of content is released, and then an inevitable decline over time. Until then, we’ll see that shift in video game focus like Ninja is having this week.

 

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Return to Bed Bugs, NYT & Thin-Skinned Columnists

When last we met, NY Times columnist Bret Stephens was being mocked on the Internet for complaining rather publicly about Dr. David Karpf, a relatively unknown associate professor of media and public affairs at George Washington University making a mostly unseen joke comparing Stephens to the crop of bed bugs found in the Times’ newsroom.

Don’t know this story? Follow the link above back to my previous post to catch up.  It’s ok. We’ll wait.

So at this point we have a ticked off columnist for one of the most important papers in the country and a professor behaving analytically.

And then I saw this tweet from Mike Godwin (yes, that’s the Godwin of Godwin’s Law of Nazi Analogies…)

Bret Stephens was so irate  that he wrote a whole column for the Times essentially comparing Karpf’s bed bug joke to the Holocaust. And it is worth remembering that no one would have ever noticed Karpf’s joke had Stephens not blown it up.

Lehigh journalism professor Jeremy Littau was surprised the Times let Stephens take out his anger at Karpf with his column:

Washington Post columnist (and international affairs professor) Dan Drezner had a thoughtful critique of Stephens behavior:

The lesson the Stephens just hasn’t seemed to learn is that although he has a big, big pulpit, he cannot beat up on lower figures without impunity now. Here is how Dr. Karpf responded through a commentary on Esquire’s site:

I think my favorite comment on the whole affair game from TCU’s Dr. Emily Farris:

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Media Twitter: On Bed Bugs, the NYT and thin-skinned columnists

Updated 8/28/19

It all started with a story on Slate Monday noting that several locations in the New York Times building were infested with bed bugs. This led to the following tweet from NY Times visual journalism director Stuart Thompson:

“Breaking – there are bedbugs in the NYT newsroom

-Stuart A. Thompson (@staurtathompson) August 26, 2019″ (since deleted)

 

Later on Monday, Dave Karpf, an associate professor of media and public affairs at George Washington University, used this news to poke fun at conservative Pulitzer Prize winning NYT columnist Bret Stephens.

Initially it achieved something like 9 likes and no shares. Pretty small by Twitter standards.  By comparison, my tweet that same day complaining about academics making poor choices about Reply All on e-mail attracted 24 likes and 1 retweet.

But then Bret Stephens did something foolish – he publicized Dr. Karpf’s tweet by an e-mail to Karpf, CCed to the George Washington provost:

Karpf, writing in Esquirenotes the irony of Stephens’ comments:

The irony, of course, is that Bret Stephens regularly pens columns decrying the culture of “safe spaces” on college campuses. He once wrote a column titled “Free Speech and the Necessity of Discomfort.” (Discomfort for thee, but not for me, it would seem…)

In that column, based on a speech Stephens gave at the University of Michigan last year, he wrote:

In other words, if we aren’t making our readers uncomfortable every day, we aren’t doing our job. There’s an old saying that the role of the journalist is to afflict the comfortable and comfort the afflicted, but the saying is wrong. The role of the journalist is to afflict, period….

The truth may set you free, but first it is going to tick you (or at least a lot of other people) off.

And this wasn’t the only time:

In other words, Stephens is fine with journalists like himself making people uncomfortable, but not with other people making him uncomfortable.

Stephens followed up his e-mail with a visit to MSNBC the following morning:

Umm, I’m not a columnist or academic of national stature, but as a general rule when you send an e-mail to an academic complaining about him or her and then copy it to their boss, you are almost always trying to get the academic in some kind of professional trouble.

In the end, Stephens’ e-mail really didn’t hurt Karpf, but it did bring a lot of unwanted attention to Stephens. London’s Guardian newspaper ran a major story about it, as did the  Washington Post:

And as the Post’s Pulitzer Prize winning columnist Kathleen Parker points out, readers have called her far worse things then a “bedbug.”  In fact, there was a whole genre of Twitter posts today from women and people of color listing worse things they had been called online. Consider the following thread:

I’m not going to post the actual insults, but if you follow the above tweet, you’ll probably wish you hadn’t looked.

Karpf says he has little to fear from Stephens:

I am a tenured academic, with the support of my university of administration and my disciplinary peers. I am also, like Stephens, a white guy. If either of us was a woman or person of color, we would endure far worse insults online every day. My life will go on and so will his. He will have a new nickname that he doesn’t care for; I will have some new Twitter followers who will soon learn that I am less funny than they had hoped.

Perhaps the one who has been hurt the most by Stephens’ e-mail is… Stephens, who announced today that he was leaving Twitter:

Correction: An earlier version of this post said that Dr. Karpf was at Georgetown University. He is actually at George Washington University.

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Everything can be Explained by Hamilton: Politicians and Media, Then and Now

People who say we’ve never had politics before like we do today are just ignoring history.  At least Mike Pence isn’t shooting at Jack Lew. John Adams was a great patriot, but, man, did he have a thin skin.


Speaking of Aaron Burr, sir…

I know that this has very little to do with our media, but maybe I can make a claim toward the musical Hamilton?


 

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Media Twitter: Digital Detox, Fancy Phones, Creepy Speakers, and Facebook 51

I have my classroom media literacy students do an electronic media cleanse as their first homework each semester. And they just need to make it for a day.


A couple of stories  today about both iPhones and Androids:


Smart speakers are the creepiest. Do you really trust giant corporations to be listening to every word, every sound… coming out of where you live? Not me.


So there was a joke group set up on Facebook to have a giant crowd of folks storm the gates at secretive Air Force base Area 51. But what if some people actually show up?


And finally, your Distracted Boyfriend meme of the day:

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Media Twitter: Candidate playlists, digital history & one more distracted boyfriend meme

Going to try to get back to blogging on a more regular basis this fall.  On days I don’t have essay posts, I’m going to share some of the media issue Twitter posts that might have scrolled by your feed.  Let me know if you find these interesting/useful.

-REH


A great look at what can be done with multimedia reporting.  Doing online what you can do best online.  Really cool story.



How are historians supposed to cope with the digital world? Here’s one example from artist Gordon McAlpin whose masters project looked at the history of the transition from silent to sound movies.


And finally, one more Distracted Boyfriend meme…

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