Ten Accounts I Follow on Threads

This week my JMC 406 Blogging and Commentary students were asked to do one of their first posts by listing 10 Threads accounts they are following and why. You can find my students’ posts using the #JMC406 hashtag. Here’s my swing at the assignment. I’m trying to avoid accounts my students are likely linking to:

  1. postopinions – From the Op/Ed pages of the WaPo
    Sharing a  range of editorials and opinion pieces from the Washington Post.
  2. dkiesow – Damon Kiesow
    Knight Chair in Journalism at Mizzou. Smart commentary on journalism and media business.
  3. grovesprof – Jonathan Groves
    Professor at Drury University and former journalist
  4. jeremyhl – Jeremy Harris Lipschultz
    Social media and journalism professor at UNO, Cubs fan, and media law commentator.
  5. karaswisher – Kara Swisher
    Journalist at the intersection of tech/politics/culture.
  6. oliverdarcy – Oliver Darcy
    Senior media reporter for CNN, produces the…
  7. cnnreliablesources feed.
    For years was the CNN weekly news media show. Now a newsletter.
  8. davidfrenchjag – David French
    Conservative, evangelical columnist for NY Times. Lawyer, veteran.
  9. thebadastronomer – Phil Plait
    Writes about astronomy and other science issues. Has been a speaker on the UNK campus on several occasions.
  10. sixuntilme – Kerri Sparling
    Kerri has been writing about living for diabetes for something like 20 years. She was one of the earliest diabetes bloggers. By the way, she is married to screenwriter Chris Sparling, who wrote the terrifying movie Buried staring Ryan Reynolds.
  11. rosannecash – Rosanne Cash
    Daughter of Johnny, one of my favorite musicians, fantastic performer
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Gerwig can’t overcome double whammy of directing a female-centric comedy

Gerwig (left) and Robbie, pictured at the Golden Globes, missed out on best director and best actress respectively. Click photo to go to BBC story. Getty Images

Greta Gerwig has directed three films since 2017, including Lady Bird, Little Women and the monster hit Barbie. All three were well regarded with multiple Academy Award nominations – but only the indie Lady Bird managed to score her a Best Director nomination. Now, I have no great insight into the Oscar nomination process, and I certainly haven’t seen all of the nominated films. But I take it as strange that a woman who has done so much with three films about women can’t get nominated for anything other than her small, indie movie.

Back in 2020, when Gerwig’s creative retelling of Little Women was in the running, I wrote:

I thought Little Women was one of the most enjoyable and interesting movies I saw all year.  And I say this as someone who had never read Little Women, nor did I know its most famous plot point. While much of the acting in it was spot on (especially from Florence Pugh who plays the difficult sister, Amy), this is clearly a film that belongs to director/screenwriter Greta Gerwig.  She got a well deserved best adapted screenplay nomination, but no nod for best director. She tells the story assuredly with a current and historic timeline that brought a new storytelling convention to a 150-year-old story.

But in 2020, and almost every other year, it took making a manly film about manly things to get Academy love, unless you are an indie or international film that makes no threat to the established order. I’m not even arguing that Gerwig should with the Oscar – I’m both predicting and rooting for Christopher Nolan’s Oppenheimer. But the fact that the director of a groundbreaking musical comedy that plays with lots of complex ideas and still makes a giant bucket of money can’t even get a spot on the ballot seems nuts.

Best director:

  • Anatomy of a Fall – Justine Triet
  • Killers of the Flower Moon – Martin Scorsese
  • Oppenheimer – Christopher Nolan
  • Poor Things – Yorgos Lanthimos
  • The Zone of Interest – Jonathan Glazer

Beyond best director, here are my thoughts on some of the rest of the nominations:

Best Picture:

  • American Fiction
  • Anatomy of a Fall
  • Barbie
  • The Holdovers
  • Killers of the Flower Moon
  • Maestro
  • Oppenheimer
  • Past Lives
  • Poor Things
  • The Zone of Interest

No real complaints, though I think that it was arguable that Spider-Man: Across the Spider-Verse could have deserved a slot here.


Best actor:

  • Bradley Cooper – Maestro
  • Colman Domingo – Rustin
  • Paul Giamatti – The Holdovers
  • Cillian Murphy – Oppenheimer
  • Jeffrey Wright – American Fiction

I would be amazed if it went to anyone other than Murphy, though I admire Giamatti’s and Cooper’s performances.


Best actress:

  • Annette Bening – Nyad
  • Lily Gladstone – Killers of the Flower Moon
  • Sandra Huller – Anatomy of a Fall
  • Carey Mulligan – Maestro
  • Emma Stone – Poor Things

No love here for Barbie’s Margot Robbie, who did a great job of bringing a doll to life in a critique of the patriarchy, seems … odd.


Best supporting actress:

  • Emily Blunt – Oppenheimer
  • Danielle Brooks – The Color Purple
  • America Ferrera – Barbie
  • Jodie Foster – Nyad
  • Da’Vine Joy Randolph – The Holdovers

Thought Randolph’s performance as the grieving mother in The Holdovers was exceptional. I’m also pleased to see America Ferrara getting recognition for Barbie.


Best supporting actor:

  • Sterling K Brown – American Fiction
  • Robert De Niro – Killers of the Flower Moon
  • Robert Downey Jr – Oppenheimer
  • Ryan Gosling – Barbie
  • Mark Ruffalo – Poor Things

I really want to see Robert Downey Jr. get this for playing Oppenheimer antagonist Lewis Strauss. Ryan Gosling was excellent in Barbie, but how he got a nom when Robbie got passed by is beyond me. (Yes, I know, different categories, etc., but really?)


Best animated feature:

  • The Boy and the Heron
  • Elemental
  • Nimona
  • Robot Dreams
  • Spider-Man: Across the Spider-Verse

I won’t get to see The Boy and the Heron for several more weeks, but I have no doubt that it is worthy of it’s spot on the list. I am so happy that Netflix and Annapurna Pictures managed to complete the queer-themed Nimona after Disney dropped it, and I’m delighted to see it with a nomination. (I had it on my top 10 list for 2023.) I was not impressed with Disney/Pixar’s Elemental, and I would have prefered to have seen the anime Suzume or the stylish Teen-Aged Mutant Ninja Turtles: Mutant Mayhem in its place.  I assume Spider-Verse will win, and I have no complaint with that.


What did you think about this year’s nominations? Leave your thoughts in the comments.

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When Unions Dominate News Over Media Conglomerates

Usually when we talk about the media business we are talking about the actions of corporate giants like Disney and Paramount, but in the summer of 2023, it was the actions of the movie and television writers and actors unions that were making the news.

In mid-July, SAG-AFTRA members joined striking screenwriters on the picket lines outside Hollywood studios and streaming companies.
Mandalit del Barco/NPR News

For the first time since 1960 both the Screen Actors Guild (SAG-AFTRA) and the Writers Guild of America (WGA) were on strike at the same time against the Hollywood studios shutting down virtually all production and promotion of scripted movies and TV shows.

In the 1960 strike, the Screen Actors Guild was led by Ronald Reagan, who would go on to become the only union president to become president of the United States.  According to entertainment news magazine Variety:

In that strike, both the writers and actors were wrestling with compensation issues arising from the dawn of television. Together, they won residuals for TV reruns and for broadcast of films on TV and established the first pension and welfare plan.

A lot changed over the 60 years since the last double strike. This time the unions were dealing with the decline of legacy linear television and the move to streaming and digital video — a transition at least as transformational as the rise of broadcast television in the 1950s and 60s. They were also concerned about how artificial intelligence (AI) could be used to capture actors’ images and voices and turn them into on-screen performances without additional involvement by the actors.

Until the rise of streaming services, actors and writers could count on getting paid when a show or movie was initially created and screened or broadcast. They would then receive residual payments each time a show was aired on broadcast/cable TV as a syndicated rerun. (Think about how you might have watched old episodes of Friends, Seinfeld, or The Office in the afternoon on your local television station or on a cable channel such as TNT or TBS.)

For many writers and actors, there can be long gaps between big, successful projects, and the residuals are what help them pay the bills during those lean times. (Remember, for every high-paid star in Hollywood there are literally dozens of journeyman workers who are just hoping to make ends meet.)

For the 2023 strike, writers and actors had a number of new concerns:

  • They were calling for a bigger, better defined share of the income from streaming services such as Netflix, Disney+, Paramount Plus and Hulu. Given that’s where most viewing is moving, that’s where the people who work in the industry say they need to be getting more of their income.
  • Both writers and actors were worried about how studios might use artificial intelligence computer programs to write scripts or create photorealistic recreations of actors for movies or shows.
  • According to film and TV professor Andrew Susskind, TV shows traditionally have lasted 20-24 episodes a season, giving staff writers eight to 10 months of work per season. “And being around for all the episodes, it offers writers the opportunity to grow, because they’re there for script writing, they get to see preproduction, maybe get to see postproduction; so they get to learn production and maybe one day get to be producers or showrunners,” Susskind said.Now shows are more likely to have 10 or fewer episodes, and the writing staff will be smaller with more freelancers being brought in to work on just a single episode. This gives the writers employment of weeks rather than months.

These strikes, of course, delayed or canceled the production of a wide range of projects. The actors’ strike will also meant that the stars could not help promote  new movies or shows. The first of these to be hit was the Christopher Nolan summer blockbuster Oppenheimer, where stars Emily Blunt, Matt Damon, Cillian Murphy and Florence Pugh were only available for a single red-carpet appearance before the strike sent them to the picket lines.

The studios saw things a bit differently than the unions, stating that the strikes were coming at “the worst time in the world,” according to Disney head Bob Iger. Speaking to CNBC, Iger said:

“There’s a level of expectation that [the unions] have that is just not realistic. And they are adding to the set of the challenges that this business is already facing that is, quite frankly, very disruptive.”

Although studio executives made snarky anonymous claims in the Hollywood press that they would simply wait out the strike “until union members start losing their apartments and losing their houses,” in the end, the studios largely gave in to union demands. In separate contracts, both unions reached agreements for residuals for programming on streaming media, strict controls on how artificial intelligence can be used in producing content, and minimum staffing levels for writers’ rooms.

David Sims, culture writer for The Atlantic, argued that the reason the writers and actors could outlast the studios was that their financial situations were so bad they had nothing to lose by staying out on strike. The media companies, on the other hand, had nothing to put on screens or in theaters. As an example, over the Christmas holidays of 2023 my Dear Wife and I went to a local commercial theater to watch a re-release of Bruce Willis’ 1988 thriller Die Hard, which was showing because there simply weren’t enough new movies to fill the limited number of screens we have in our small, Midwestern town. These delays were particularly rough for the media giants that had been forced just three years earlier to delay large numbers of big movies because of theaters closed for the COVID pandemic.

With both writers and actors back on the job, the question is now what will the working relationship be between producers and creatives in Hollywood? Actor and SAG-AFTRA strike captain Chelsea Schwartz posed the question to NPR, “How do you go from being so angry at these people to being, like ‘and we’re best buds now, working together on set?’ We forgive, but you don’t forget.”

 

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When Scholastic Book Fairs Got Segregated (and then Desegregated Again… Maybe)

Scholastic Book Fair signThe Scholastic Book Fair is a long-running rite of passage for K-12 students in the United States when the educational publishing giant sets up big displays of books for sale at schools across the country. For your author, the Scholastic Book Club orders that came every month or two were high points of the the year, especially in grade school. (The book fairs didn’t start until 1981 when I was in college.) But in order for Scholastic to bring these thousands of books to students across the country, they have to stay in business.

During 2023, Scholastic placed a large number of books into a group called, “Share Every Story, Celebrate Every Voice,” which sounds like a good thing when more than 30 states were facing efforts to keep books dealing with racial justice or sexuality out of schools. But Scholastic admitted that the collection existed so that states that “prohibit ‘certain kinds of books’ from schools” could keep these diverse books out of the sale.   Scholastic initially defended having the separate collection, saying that the new laws in states banning such books from schools create “an almost impossible dilemma: back away from these titles or risk making teachers, librarians, and volunteers vulnerable to being fired, sued, or prosecuted…. We don’t pretend this solution is perfect – but the other option would be to not offer these books at all – which is not something we’d consider.”

Among the books in the collection were:

  • The ABCs of Black History
  • Biographies of Rep. John Lewis, Ruby Bridges, and Supreme Court Justice Ketanji Brown Jackson
  • Change Sings, a picture book by poet Amanda Gorman with illustrations by Loren Long.

In a post on Instagram, Gorman reacted in sadness to the news that her book was on the segregated list:

“It took me a while to sit in what felt like a betrayal. As an elementary student, for weeks I’d save every single penny I had for the Scholastic Book Fair, because it felt like a free place that invited me to explore and choose for myself what books I wanted to read, what worlds I wanted to access, what stories I could finally find myself reflected within. It was one of the magical moments that made me want to write books for children in the first place.

“But the true depth of my disappointment came when I read about all the amazing, impactful books – predominantly by Black, brown, queer, and disabled authors – that won’t make it into the schools because there is now a clear pathway for prohibiting them from general access.”

But following extensive criticism from free speech and children’s groups, Scholastic decided to stop segregating the Share Every Story books into a separate collection that could easily be excluded. How will the company handle future complaints about books covering diversity and LGBTQ+ issues? That remains to be seen.


A similar controversy was sparked in North Carolina’s Charlotte-Mecklenburg school district when district officials told principals not to have their schools participate in events tied to the American Library Association’s annual Banned Book Week. The message to principals said, “It is not something we teach in our classrooms or as supplementary material for out of school learning.”  The district was also concerned that discussion of banned books might violate a new state law that said parents had the right to control what their children learned in school. Edward Helmore, writing for the British newspaper The Guardian, said that this might be the first time that “efforts to draw attention to banned books has itself been banned.

Once the story about “banning Banned Book Week” started to spread through national media outlets, the narrative within the district started to change, saying the message to individual schools was “for building-level administrators to use, if needed.” The district went on to say that any Banned Book Week observation was not a violation of the Parents Bill of Rights.


Image by Chantal Jahchan for The Washington Post; Getty Images

The Washington Post, in 2023, took a deep dive into the issue of who was objecting to books and what kinds of books did these people dislike? Reporters looked at more than 1,000 challenges filed during the 2021-22 school year from 150 school districts nationwide.

Topics objected to included a biographical book on assassinated gay San Francisco politician Harvey Milk, a story about a boy who dresses as a mermaid, and a story about a Black child’s reaction to a killing of a girl by police in his hometown.

Carol Tilley, a faculty member at University of Illinois, compares the current culture of book banning to a case in Alabama in the 1950s where adults objected to The Rabbit’s Wedding about a black and a white rabbit getting married. “That didn’t play well in segregationist states at the time,” Tilley said. “I think that you see a long pattern: Concerns tend to mirror whatever the big social changes are at any particular time.”

While challenges targeting books with LGBTQ+ themes have been around since the early 2000s, the number of objections were spiking by 2018 when they accounted for 16 percent of all challenges. That grew to 20 percent in 2020 and up to 45.5 percent in 2022, according to the Washington Post.

At the core of many of these objections to books presenting LGBTQ+ stories is that these will normalize gay, trans, queer and non-binary narratives and make children feel that such feelings and behavior are acceptable. This is sometimes referred to as “grooming” or encouraging young people to consider different approaches to sexuality. (This would also fall under Secret Three: Everything from the margin moves to the center. Want to review all of the Seven Secrets? Here’s the link!)

But according to Dr. Amy Egbert, who studies youth mental health, research doesn’t support the idea that reading about a topic can change something as basic as a person’s sexuality. “[W]e do have a lot of data about other topics that doesn’t lead us to think that reading a book would make a child suddenly become gay,” she said. But she went on to say that removing LGBTQ+ books could have negative effects. “Any time a certain identity is stigmatized, that tend to lead to more discrimination, more bullying, and increased mental health challenges.”

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Will we be extremists for love or hate? Dr. Martin Luther King, Jr’s Letter from a Birmingham Jail

m" One of the greatest honors of my life was being invited to speak at the Martin Luther King, Jr. candlelight vigil several years ago at the UNK student union, along with KevinThe question is not whether we will be extremists, but what kind of extremists we will be. Will we be extremists for hate or for love? Will we be extremists for the preservation of injustice or for the extension of justice?... The nation and the world are in dire need of creative extremists." Dr. Martin Luther King, Jr National Museum of African American History & Culture

One of the greatest honors of my life was being invited to speak at the Martin Luther King, Jr. candlelight vigil several years ago at the UNK student union, along with Kevin Chaney, who was then UNK’s women’s basketball coach. 

Here’s what I had to say about Dr. King when I spoke:

Visalli-11-10-13When we think of public relations, we think of a professional in a suit trying to persuade us about something related to a large corporation. But not all PR is practiced by big business.

Civil rights leader The Rev. Dr. Martin Luther King Jr. had a brilliant understanding of public relations during the campaign to desegregate Birmingham, Alabama in 1963.

The goal of the campaign was to have non-violent demonstrations and resistance to force segregated businesses to open up to African Americans. What King, and the members of the Southern Christian Leadership Conference, wanted to do was stage a highly visible demonstration that would not only force change in Birmingham, but also grab the attention of the entire American public.

King and his colleagues picked Birmingham because it was one of he most segregated cities in America and because it had Eugene “Bull” Conner as police commissioner.

Conner was a racist who could be counted on to attack the peaceful marchers. Birmingham was a city where black protestors were thrown in jail, and the racists were bombing homes and churches. There was a black neighborhood that had so many bombings it came to be known as Dynamite Hill.

Dr. King and his colleagues had planned demonstrations and boycotts in Birmingham, but held off with them in order to let the political system and negotiations work. But time passed, and nothing changed. Signs were still up at the lunch counters and water fountains, and protestors were still headed to jail.

King and the rest of the SCLC needed to get attention for the plight of African Americans in cities like Birmingham.

They needed to do more than fight back against the racism of segregation. They needed to get Americans of good will in all the churches and synagogues to hear their voices.

Starting in April of 1963, predominantly African American volunteers would march in the streets, hold sit-ins at segregated lunch counters, and boycott local businesses in Birmingham. As the protests started, so did the arrests.

On Good Friday, King and Abernathy joined in the marching so that they would be arrested. While King was in jail, he was given a copy of the Birmingham News, in which there was an article where white Alabama clergy urged the SCLC to stop the demonstrations and boycotts and allow the courts to solve the problem of segregation.

But King was tired of waiting, and so he wrote what would become one of the great statements of the civil rights cause. One that spoke to people who were fundamentally their friends, not their enemies. This came to be known as the “Letter from a Birmingham Jail.

Writing the letter was not easy. Dr. King wrote it in the margins of the newspaper. He wrote it on scraps of note paper. He wrote it on panels of toilet paper. (Think about what the toilet paper was like if Dr. King was able to write on it!)

The letter spoke to the moderates who were urging restraint. To them, he wrote:

“My Dear Fellow Clergymen:

While confined here in the Birmingham city jail, I came across your recent statement calling my present activities “unwise and untimely.” Seldom do I pause to answer criticism of my work and ideas…. But since I feel that you are men of genuine good will and that your criticisms are sincerely set forth, I want to try to answer your statement in what I hope will be patient and reasonable terms.”

He went on the acknowledge that perhaps he was an extremist, but that he was an extremist for love, not for hate:

“But though I was initially disappointed at being categorized as an extremist, as I continued to think about the matter I gradually gained a measure of satisfaction from the label.

Was not Jesus an extremist for love: “Love your enemies, bless them that curse you, do good to them that hate you, and pray for them which despitefully use you, and persecute you.”

Was not Amos an extremist for justice: “Let justice roll down like waters and righteousness like an ever flowing stream.” …

Was not Martin Luther an extremist: “Here I stand; I cannot do otherwise, so help me God.” …

And Abraham Lincoln: “This nation cannot survive half slave and half free.”

And Thomas Jefferson: “We hold these truths to be self evident, that all men are created equal . . .”

So the question is not whether we will be extremists, but what kind of extremists we will be. Will we be extremists for hate or for love?”

King’s jailhouse writings were smuggled out and published as a brochure. His eloquent words were given added force for being written in jail. As he says toward the end of his letter, it is very different to send a message from jail than from a hotel room:

“Never before have I written so long a letter. I’m afraid it is much too long to take your precious time. I can assure you that it would have been much shorter if I had been writing from a comfortable desk, but what else can one do when he is alone in a narrow jail cell, other than write long letters, think long thoughts and pray long prayers?”

Once King was released from jail eight days later, he and his followers raised the stakes. No longer would adults be marching and being arrested, children would become the vanguard. And as the children marched, photographers and reporters from around the world would document these young people being attacked by dogs, battered by water from fire hoses, and filling up the Birmingham jails.

King faced criticism for allowing the young people to face the dangers of marching in Birmingham. But he responded by criticizing the white press, asking the reporters where they had been “during the centuries when our segregated social system had been misusing and abusing Negro children.”

Although there was rioting in Birmingham, and King’s brother’s house was bombed, the campaign was ultimately successful. Business owners took down the signs that said “WHITE” and “COLORED” from the drinking fountains and bathrooms, and anyone was allowed to eat at the lunch counters. The successful protest in Birmingham set the stage for the March on Washington that would take place in August of 1963, where King would give his famous “I have a dream” speech.

We are now more than sixtyy years from King’s letter from Birmingham Jail. This letter was not one of his “feel good” speeches. It doesn’t raise the spirit the way his “I have a dream” speech did.

But it did give us a message that still matters more than ever today:

 “I hope this letter finds you strong in the faith. I also hope that circumstances will soon make it possible for me to meet each of you, not as an integrationist or a civil-rights leader but as a fellow clergyman and a Christian brother. Let us all hope that the dark clouds of racial prejudice will soon pass away and the deep fog of misunderstanding will be lifted from our fear drenched communities, and in some not too distant tomorrow the radiant stars of love and brotherhood will shine over our great nation with all their scintillating beauty.”

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Ralph’s Top 10 Favorite Movies Seen in 2023

Here are my 10 favorite movies I saw for the first time in 2023. This is in no way a 10-best list, particularly since half of them came out before, sometimes long before, this year. They are just the 10 movies I enjoyed the most that I hadn’t seen before. They date from the 1920s up until December of this year.

What movies would you put on your list of favorites?


  • Torchy Blane - Smart Blonde posterTorchy Blane series (1937 – 1939), starting with Smart Blonde, Fly Away Baby, Torchy Blane The Adventurous Blonde, Blondes At Work. A series of second features from the late 1930s staring Glenda Farrell as the brassy fictional newspaper reporter Torchy Blane, who would go on the be the inspiration for Lois Lane in the Superman comics. To be fair, Torchy was also played by Lola Lane and Jane Wyman in two films, but we don’t talk about those, and they don’t count.
  • poster for movie Till.Till (2022) – Was fortunate enough to see this devastating historical civil rights drama at our wonderful community-run World Theatre. It seems inexcusable to me that Danielle Deadwyler did not get an Oscar nomination for playing Mamie Till-Mobley, the mother of the murdered teen Emmett Till.
  • The Fabelmans (2022) – Steven Spielberg’s semi-autobiographical film about growing up and making movies. It’s a great story of about the love of family and love of the movies.
  • Buster Keaton Shorts with live piano (1920s) – The World Theatre here in Kearney showed three Buster Keaton short films with live piano accompaniment by Rodney Sauer. Keaton was a writer/director/actor who established what you could do with visual comedy in the movies. If you have watched and loved the work of the Looney Tunes, Pee Wee Herman, or Mel Brooks, you have seen the brilliant comic influence of Buster Keaton.

  • Oppenheimer (2023) – Christopher Nolan’s epic biopic of J. Robert Oppenheimer reminded us all of why we go to the biggest, best theater to see bigger-than-life movies. Oppenheimer was shot on IMAX-format film and used all practical/non-digital effects. I went with a friend to see it at an UltraScreen DLX premium theater that is the next best thing to IMAX.
  • Images of Oppenheimer and Barbie moviesBarbie (2023) – Greta Gerwig’s Barbie famously was released the same weekend as the summer’s other massively anticipated film, Oppenheimer, something that studios have typically avoided. But the two films, dubbed Barbenheimer, showed that audiences were desperate for well-made, interesting, original films and wanted to see them in theaters. Superhero/franchise fatigue be damned, people wanted to get to movies and escape for an evening of magic. Gerwig keeps proving that she can take anything from indie fare like Ladybird to classics like Little Women to gonzo-crazy pop culture feminism and turn them into fascinating, entertaining and popular movies.
  • Asteroid City (2023) – Wes Anderson being maximum Wes Anderson. I can’t explain this film. Just see it if you haven’t. (Currently streaming on Amazon Prime)

  • Pride & Prejudice (1940) – The last of the old films on my 2023 list. This 1940 version of Jane Austen’s classic novel stars Greer Garson and Laurence Olivier. Dear Wife and I are used to thinking of Sir Laurence as the grand old man of British theater and cinema, not this vital, dare I say sexy, young actor. And Greer Garson is always wonderful.

  • Godzilla Minus One movie posterGodzilla Minus One (2023) – This Japanese-language film (one of three I saw this year) was a surprise for me. I had barely known it existed before going to see it at a local commercial theater. As I wrote in an earlier blog post, Godzilla Minus One is an excellent look at the price we pay for war, for fighting, for fear… and what we must do to redeem ourselves. The movie tells the story of a Japanese pilot and the men, women and children who surround him in the waning days of World War II and the years following. Yes, it is a good monster movie, but it is also a touching story of our humanity. It also shows that brave filmmakers with good stories to tell can still make great movies out of franchises that have been around for decades.

I presented my ten favorite movies in the order I watched them without any attempt to rank them. The following are the remaining 11 films that didn’t make my 10 favorites but were in contention.

  • Triangle of Sadness (2022) – Oscar nominated very-dark comedy about class conflict.
  • Avatar – The Way of Water: 3D (2022)  – Return to the world of James Cameron’s hubris, but in an entertaining way.
  • Dungeons & Dragons: Honor Among Thieves (2023) – Surprisingly fun movie based on the  role-playing game.
  • Suzume (2022) – A Japanese-language anime fantasy film I was lucky enough to see at my community non-profit theater.
  • Navalny (2022) – Disturbing documentary about the Russian dissident Alexei Navalny.
  • Spider Man – Across the SpiderVerse (2023) – Second of the ground-breaking animated SpiderVerse movies.
  • The Hustler (1961) – In which Paul Newman shows why he was one of the greatest actors of his generation. Martin Scorsese made the sequel The Color of Money in 1986.
  • Theater Camp (2023) – A low budget film made by a group of friends who just wanted to have fun together.
  • Teen-Aged Mutant Ninja Turtles: Mutant Mayhem (2023) – The fourth animated film I’ve mentioned here. Not at all like the first SpiderVerse or Mitchells vs. the Machines, but clearly influenced by the them in breaking into new ways of telling stories with animation.
  • Cold Mountain (2003) – Our campus film club showed this at our community theater, and I am so grateful to have seen this Civil War-based retelling of The Odyssey on the big screen.
  • King Coal (2023) – An thoughtful documentary/meditation on how the coal industry has changed Appalachia, including my former home of West Virginia. Directed by a grad of West Virginia University’s journalism program.

So – What were your favorite movies you saw in 2023?

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A Gift for Little Christmas Eve: The Wonder that are Tiny Desk Concerts

NPR Tiny Desk ConcertsThose of us of Scandinavian extraction refer to Dec. 23rd as “Lille Yule Aften” or “Little Christmas Eve.” It’s the day for putting up your Christmas tree, decorating, and getting ready for the festivities to come. 

(Traditionally, the tree was cut and put up today, then lit with candles on Christmas Eve. I know that sounds ridiculously dangerous, and it probably is. But it is a very different thing when your tree is is being lit up one day after being cut. The year my family lived in Denmark when I was first grade, we spent Christmas with our extended Danish family and celebrated with a candle-lit tree. That said, both of the trees in my house are artificial and lit with LEDs.)

In observation of this wonderful day, I’m giving you all a Little Christmas Eve present – a collection of some of my favorite NPR Tiny Desk concerts.


Nothing can get me more distracted online than getting going watching NPR’s Tiny Desk Concerts. These little shows are generally acoustic sets with just a very few musicians who range from the late great Americana legend John Prine to current superstar Taylor Swift.

Tiny Desk concerts have been around for about 15 years now. They are all recorded behind the desk of a music host from NPR and then posted to YouTube and NPR’s music website.

I got thinking about these little concerts last week when I was finishing up a blog post about Swift and wanted to close it out with some kind of video from her. My searching quickly reminded me of her wonderful solo Tiny Desk set.

Once I finished the post, I spent way too much time running through some of my favorites of these concerts from over the years. And that made me want to share some of my favorites of these treasures with all of you as a holiday Christmas present.

Take your time and enjoy each of these beautiful music breaks.


Regina Spektor – Spektor is a Russian immigrant who does provocative and interesting songs from her perch at the piano. I discovered her when she did a cover of While My Guitar Gently Weeps for the closing credits of the stop-action animated movie Kubo and the Two Strings. One of the great joys of this little show is when she opens by improvising a new song about being on Tiny Desk!


Wicked — This is a celebration of the 20th anniversary of the Wizard of Oz musical Wicked featuring composer/lyricist Stephen Schwartz at the piano and current Broadway leads Alyssa Fox (Elphaba) and McKenzie Kurtz (Glinda) performing four songs from the show.


Chick Corea and Gary Burton – Jazz pianist Corea and vibraphone maestro Burton present 20 minutes of absolute enchantment. I was fortunate enough to see Gary Burton in concert more than 45 years ago, and I confess that it is strange to see this old man with the mallets rather than young man I heard in concert. Of course, I was a high school student then, and now I’m nearing retirement.


Taylor Swift – A solo set from the current Queen of all Media recorded in 2019.


Adele – One of those stars who only needs one name. What a voice! And I so love Someone Like You that Adele co-wrote with Dan Wilson.


John Prine – Oh, John, we miss your voice so… I was fortunate enough to see John Prine with Steve Goodman back when I was in college and we were all young. John stayed active until the end, producing his final album in 2018 featuring the heartbreaking Summer’s End. After you are finished here, follow the link to find the gorgeous video that goes with the song.


Yo-Yo Ma – Ma plays excerpts from the Bach cello suites. When I’ve looked at my year in review on Apple Music for the last two years, by far the most played music has been Ma playing the Bach cello suites. Listen to this short Tiny Desk concert and then go discover the magic that comes from any of his three recordings of the complete suites.


I wrote most of this post a week ago or so, but when Tiny Desk featured the cast of the Broadway revival of Stephen Sondheim’s darkly brilliant musical Sweeny Todd in a concert that dropped yesterday, I had to add it to my list. (If you aren’t familiar with Sweeny, the basic plot is about wronged barber Sweeny Todd who takes revenge on those who hurt him by killing them and chopping them up to be sold as meat pies made by Mrs. Lovett in her bake shop. And if that isn’t twisted enough for you, when the play was first staged, beloved actress Angela Lansbury played the Mrs. Lovett!) In this version we see Josh Groban as Sweeney and Annaleigh Ashford a “Mrs. Lovett.” The conductor is Alex Lacamoire of Hamilton and In The Heights fame.


Want to be non-productive for the next few hours? Just go Google Tiny Desk and you will get an endless list of sets to watch.

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My Favorite Christmas/Holiday Movies

Movie poster for Die Hard.This afternoon I went over to one of our local movie theaters and  purchased a pair of tickets for John McTiernan’s 1988 thriller Die Hard, which my Dear Wife and I will go see Monday. Die Hard got a rerelease last week as many people mistakenly consider it to be a Christmas movie and because the writers’ and actors’ strikes have produced a notable lack of new movies this holiday season.

I love Die Hard (along with most John McTiernan movies), but it is in no way a Christmas film – it is at best a Christmas adjacent movie that happens to be set at Christmastime, but it does not tell a story with a Christmas subtext or theme.

Regular readers here know that Dear Wife and I are inordinately fond of movies – especially old movies – so it seems to be appropriate for me to put up a list, in no particular order, of some of my favorite Christmas/holiday movies that get watched at least every other year.


Irving Berlin’s White Christmas is the first on my list, staring Bing Crosby, Rosemary Clooney (George’s aunt), Danny Kaye and Vera-Ellen. The movie is directed by Michael Curtiz of Casablanca fame. The story is pretty minimal about a song-and-dance pair teaming up with a sister act to save the Vermont inn of an army buddy. But White Christmas is loaded up with fantastic Irving Berlin songs and incredible dance numbers. The song in the clip is “Count My Blessings,” my favorite from the show. As a side note, there’s a great stage adaptation of it that you might be able to see as either a touring company or at a regional theater.


Scrooged – Bill Murray’s modern update on Charles Dickens’ A Christmas Carol. Murray plays a cynical television executive who is making everyone around him miserable. He gets visited by the usual specters, including Carol Kane as the Ghost of Christmas Present and David Johansen (AKA lounge singer Buster Poindexter) as the Ghost of Christmas Past. Also staring Alfre Woodard as the Bob Cratchit character and Karen Allen. Please note that this is a pretty mean-spirited retelling Dickens and not for the younger set.


The Man Who Invented Christmas – While we’re on the topic of A Christmas Carol, The Man Who Invented Christmas is an imaginative take on how Dickens came to write his holiday classic.  This little-known movie has a great cast, including Christopher Plummer and Jonathan Pryce.


Remember the Night – From 1940, Remember the Night stars Barbara Stanwyck and Fred McMurray as a shoplifter and a prosecuting attorney who take a Christmas journey together. It also features a supporting cast of Beulah Bondi and Sterling Holloway (who you likely know best as the Disney voice of Winnie the Pooh). I confess I like this much better than the far-more-famous Christmas in Connecticut. 


 

It Happened on 5th Avenue – This 1947 movie directed by Roy Del Ruth is about a hobo/street person who moves into a rich man’s New York home every winter while the owner is spending the cold season in Virginia. It’s a silly story, but who cares? It’s funny, it’s sweet, and it has Alan Hale, Jr. of Gilligan’s Island fame in a small role. The movie was originally going to be directed by Frank Capra, but Capra abandoned the project to direct our next film.


It’s a Wonderful Life plays at our local community volunteer-run The World Theater every year on Christmas Eve, and it’s great being able to reliably see this Frank Capra helmed Jimmy Stewart classic on the big screen. Assuming you don’t know already, Jimmy Stewart plays an everyman banker who becomes convinced the world would be a better place if he had never been born, and Clarence the Inept Angel shows Stewart’s character what the world would have been like if that had happened.


You’ll notice I don’t have National Lampoon’s Christmas Vacation on my list here. That’s because I think it is a horrible movie that does nothing beyond mocking its main character. I fully realize that it will sell out The World Theatre for three showings every year at Christmas time. I also realize that my criticism of NLCV would equally apply to my beloved Scrooged. Oh well, who said I had to be consistent?

Some honorable mention Christmas movies that you’ve probably already seen include:

  • A Christmas Story that lives on cable TV over the holidays.
  • The Bishop’s Wife with Cary Grant, Loretta Young, and David Niven.
  • Home Alone, like Die Hard, is more of a Christmas adjacent movie than a true Christmas story. But it’s a lot of fun
  • Gremlins is a scary/funny creature feature that actually does deal with Christmas issues.
  • A Christmas Carol with Patrick Stewart, the Muppets and Michael Caine, or Reginald Owen, or…, or…. They all can be fun.

Whatever your holiday favorites, have a very movie Christmas!


On a completely different note, go see Godzilla Minus One in theaters over the holiday. Yes, it’s in Japanese with subtitles. Get over it. One of my favorite movies of the year.

Godzilla Minus One is an excellent look at the price we pay for war, for fighting, for fear… and what we must do to redeem ourselves. The movie tells the story of a Japanese pilot and the men, women and children who surround him in the waning days of World War II and the years following. Yes, it is a good monster movie, but it is much more a really touching story of our humanity.

It also shows that brave filmmakers with good stories to tell can still make great movies out of franchises that have been around for decades.

I have loved the recent MonsterVerse films from Universal and the Monarch series on Apple TV this winter, but Godzilla Minus One is at a whole different level. It has nothing to do with Christmas, but it’s a fantastic movie that is now moving into general release.

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Is Taylor Swift the new Queen of all Media?

I’m working on the ninth edition of my textbook Mass Communication: Living in a Media World. The eighth edition was written in the middle of the pandemic lockdown and talks about a time when everything was being limited.

The lockdown is over, but sadly, the pandemic is not. But even though people are still getting sick, still dying, we have returned to some level of normalcy.

Here are my thoughts about our collective desire to get together once again to celebrate living in a media world.


Back in the 1990s, radio shock jock Howard Stern crowned himself as “the King of all Media.” Over the decade he would be known for pushing limits to the breaking point on his popular talk show, having a bestselling memoir called Private Parts, and having the book turned into a hit movie staring himself.

At the time, it was just about impossible to overestimate Stern’s presence in the media world and his potential to offend. He made jokes about sexual assault and even about his wife’s miscarriage. His offensive content and constant flirtation with near profanity kept him in constant trouble with the Federal Communication Commission. One biography of Stern notes that his biggest controversy occurred when he was on the air in Washington D.C. and a Air Florida plane crashed into the 14th Street Bridge during a snowstorm:

“To express his outrage over the incident, [Stern] pretended to call the airline to inquire what a one-way ticket from National Airport to the 14th Street Bride would cost and whether it would become ‘a regular stop’”

These days, Stern still has a national audience estimated to be in the vicinity of 1 – 2 million people per day with his two channels on Sirius/XM satellite radio, a non-broadcast alternative to standard radio that is not regulated by the FCC. But he does not have the outsized influence he once did.

This clip was one of the few I could find of The Howard Stern Show that I felt comfortable about posting on my blog. But also, I love The Ramones.


Television talk show host and media mogul Oprah Winfrey took over as the Queen of all Media in the 2000s with her long-running daily television talk show, her satellite/cable network, a self-titled magazine, and her Harpo television and movie production company. When Oprah (who really only needs her first name in the media world) listed a title for her television book club, it would become an instant bestseller and a cultural touchstone. On September 13 of 2004, she even went so far as to give everyone in her studio audience a new car, in partnership with car manufacturer Pontiac. But since she closed down her daily talk show back in 2011 and is now in her late 60s, Oprah, too, has moved a bit to the background.

The Oprah “You get a car” moment.


Taylor Swift Person of the Year Time magazine coverI would argue that in the 2020s, the title of Queen of All Media should belong to pop star Taylor Swift. She is the first female artist to have 100 million monthly Spotify listeners. Swift’s Eras concert tour presale brought Ticketmaster to its knees when millions of fans attempted simultaneously to buy approximately 2 million tickets in a matter of a few hours. Eras would go on to be the world’s first billion-dollar concert tour. In addition, her Swifty fans are estimated to be spending between $2 and $3 million for merchandise each night.

The Eras Tour concert film has brought in more than $250 million box office on a budget of approximately $15 million. Of course, having IMAX tickets selling for close to $20 a seat didn’t hurt. Nor did the fact that there was virtually nothing in new in theaters due to ongoing writers and actors strikes. Those $20 tickets were a bargain, though, compared with the $235 average ticket price for the actual concerts.

In addition to being intensely popular across a wide range of demographics, Swift has also become something of a feminist icon by reclaiming her place in the music industry by re-recording her early albums owned by the Big Machine label. By releasing “Taylor’s Version” of these albums, she is taking ownership of her master tapes and giving her fans the chance to buy them straight from her instead of rewarding her estranged former manager Scooter Braun who had purchased her catalog of recordings.

Gannett, the largest U.S. newspaper chain, even has a full-time Taylor Swift reporter. Brian West was hired for the Swift beat in November of 2023. West admits to being a huge Swiftie, but doesn’t see that as an obstacle to him covering the Taylor media industry:

“I would say this position’s no different than being a sports journalist who’s a fan of the home team,” says West. “I just came from Phoenix, and all of the anchors there were wearing Diamondbacks gear; they want the Diamondbacks to win. I’m just a fan of Taylor and I have followed her her whole career, but I also have that journalistic background: going to Northwestern, winning awards, working in newsrooms across the nation. I think that’s the fun of this job is that, yeah, you can talk Easter eggs, but it really is more of the seriousness, like the impact that she has on society and business and music.”

Swift has even been credited with raising the television viewership of Kansas City Chief’s NFL games because she is dating the team’s star player Travis Kelce and attending the team’s games. There are also at least 10 college courses offered about her, including one at Harvard.

All of this led to Time magazine name Swift as its 2023 Person of the Year. In the cover story journalist Sam Lansky writes:

It’s hard to see history when you’re in the middle of it, harder still to distinguish Swift’s impact on the culture from her celebrity, which emits so much light it can be blinding. But something unusual is happening with Swift, without a contemporary precedent. She deploys the most efficient medium of the day—the pop song—to tell her story. Yet over time, she has harnessed the power of the media, both traditional and new, to create something wholly unique—a narrative world, in which her music is just one piece in an interactive, shape-shifting story. Swift is that story’s architect and hero, protagonist and narrator.

So instead of posting one of Taylor’s giant stage show videos, here is her solo acoustic NPR Tiny Desk concert from Oct. 16, 2019. NPR staffers still talk about how much effort they put into getting a ticket for this little show.


The media world has changed massively since Howard Stern dominated it in the pre-#metoo era of joking about sexual assault and other horrific issues that would never be tolerated now. It has also changed from an era where Oprah, star of a daily broadcast television show, could dominate our discussion of books, culture and race.

The first couple of years of the 2020s were a time of intense turmoil with the entire world shutting down in reaction to a global pandemic that would leave more than 1 million people dead in the United States alone. Perhaps people flooding to Taylor Swift’s concerts and film, constantly streaming her music, and obsessing over her dating life are part of an attempt to return to a world of normalcy again where music can be celebrated with friends, where sporting events are held with live audiences, and we can be creating the media memories that are such an important part of our shared life.

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Questions Worth Asking (Maybe)

Are Facebook and Instagram addictive? And if so, what does that mean?

We know that nicotine, meth, heroin, alcohol and the like are addictive. Biochemists can lay out the specific mechanisms that make these substances difficult to quit using. But then there is talk about sex addiction, video game addiction, TV addiction, and social media addiction. Are those real addictions? Do they have a biochemical mechanism? Lots of talk right now about Facebook and Instagram addiction – in fact 41 states are suing Meta over this issue. Will be interesting to see how this plays out.

Breaking news: Forty-one states and the District of Columbia are suing Meta on Tuesday alleging the tech giant harms kids by building addictive features into Instagram and Facebook — a legal action that represents the most significant effort by state enforcers to rein in social media’s impact on children’s mental health.


Why are there fewer (lots fewer!) jump scares in horror movies in recent years? (Bo0!)

TL:DR – Filmmakers are scaring us more with horror than with things that go bump in the night.

Since 2014, the number of jump scares cranked out by Hollywood has fallen precipitously.
To understand what has changed, we investigated how jump scares doubled in density between the 1970s and 2014.


 

Is Taylor Swift the “Queen of all Media”?

Remember back in the late 1990s when Howard Stern took on the title of the “King of All Media”? At the time (before he made the jump to satellite radio) he had the top-rated syndicated radio show, a bestselling autobiography, a number-one movie based on the book, and a Billboard-pop-chart-topping soundtrack album for the movie.

Has Taylor Swift hit that same point now with her hugely successful concert tour that broke Ticketmaster, has the most successful concert film of all time, and has a chart-topping rerecording of her album 1989? Ponder the question for now, but we will revisit this issue in a few days.

million at the domestic box office during its opening weekend, making it the highest-grossing concert film in U.S. history, according to estimates from AMC Theaters.


What unexpected movie can I watch to celebrate Halloween?

Might I be so bold as to suggest the 1963 Roger Corman classic Edgar Allen Poe’s The Raven, staring Vincent Price, Peter Lorre, Boris Karloff and very young Jack Nicholson? It has only a marginal relationship to Poe’s well-known poem beyond Price reciting a bit of it at the beginning and has Peter Lorre entering the movie as a raven.

The Raven is a comic romp that tells the story of a battle between two master sorcerers. The screenplay was written by horror great Richard Matheson, best known for authoring I Am Legend. Less well known is that Vincent Price’s character Dr. Erasmus Craven was the model for Marvel Comic’s Dr. Stephen Vincent Strange. (Wonder where that Vincent came from?) The Raven is currently available for streaming on Amazon Prime.

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