There’s been a long debate in the United States whether still, movie or television cameras belong in the courtrooms. TV cameras have become a common feature in many local, state, and appellate courts, but as of this writing, the Supreme Court has said an emphatic “no” to cameras of any sort covering their proceedings. Here are links to several articles on cameras in the courtrooms:
The Hill – It is time for cameras in the courtroom
An op/ed piece arguing for cameras in the supreme court by congressman Gerald E. Connolly of Virginia, who has sponsored bipartisan legislation to expand the use of cameras in the courtroom.
Associated Press – Minnesota tests cameras in the courtroom
Like Illinois, Minnesota has been experimenting with cameras in the courtroom. While some people expressed concern about how the cameras might affect witness behavior, judges there reported no negative effects.
Hawaii passes Steven Tyler Act Would ban “unwanted photos or videos of others in private moments.” Nice idea, but do celebs really get the right to say “pay attention to me now, but not now”?
In the case, a nonprofit company sued to be able to run a documentary film on cable television that some saw as a thinly disguised anti-Hillary Clinton political ad. The FEC said the film couldn’t be aired because the McCain-Feingold campaign finance law prohibited corporate funded commercials for-or-against a presidential candidate less than 30 days before the election.
Citizen’s United appealed the ruling, and the United States Supreme Court ruled that organizations such as corporations and labor unions, as well as individuals, could give money in unlimited amounts to political action committees (PACs). These so-called superPACs could bundle together contributions to either support or oppose a particular candidate or issue. The one caveat is that the committees are not allowed to directly coordinate their activities with those of a candidate’s official campaign.
How separate these are is a matter of some debate, with top campaign officials oftentimes being on the steering committees for the associated superPAC.
James Bopp, a conservative activist lawyer, argues that the court’s decision makes it possible for individuals and organizations to create more political speech through their spending. As an example, multimillionaire Sheldon Adelson helped keep Newt Gingrich’s primary run for the Republican nomination going in 2012 by making a $10 million donation to Gingrich’s superPAC. Other supporters of the decision argue that the ads supported by the superPACs create a better informed public.
Before the Citizen’s United case, an individual could spend unlimited money directly on advertising supporting or attacking a candidate, but he or she couldn’t give that money to a political action committee.
Back in 2008, there was a a big debate going on over at SportsShooter.com as to whether it was proper for a college newspaper adviser to tell a photographer that he needed to make the sky bluer in a photo of an MLK Day march. (The winter sky in the photo looks pretty pale.) Actually, it’s not really fair to call it a debate. Most of the folks on the board are outraged. I wonder, however, how many photographers would simply boost up the blue in the sky without a moment’s thought. How many people in the film era used Kodachrome instead of Ektachrome to get more vibrant colors, especially the “Kodachrome blue” skies. Don’t get me wrong…. I’m not defending the advisor who promoted “fixing” the sky color. I’m just thinking that maybe folks are more outraged about the adviser interfering with a photo than the actual changes being advocated. (Thanks to Elliott Parker of the JOURNET listserv for the main link.)
Posted inBook Link, Chapter 14|Taggedethics, photography|Comments Off on Link Ch. 14 – Should a student photographer be asked to change the color of the sky?
Space photographer Jerry Lodriguss talks about the ethics of digitally manipulating their images. It’s not just press photography where this is an issue.
In the movie Star Trek II: The Wrath of Khan, the emotionless Spock performs a rational yet selfless act. He saves the crew of the starship U.S.S. Enterprise by entering a reactor room to prevent an explosion that would have killed everyone on board the ship. But in doing so he absorbs a lethal dose of radiation. As he dies, he justifies his actions to his friends with the maxim, “The good of the many outweighs the good of the few, or the one.” In this moment, Spock sums up the central tenet of the nineteenth-century ethical philosopher John Stuart Mill’s principle of utility: the greatest good for the greatest number.
Here’s a clip from Wrath of Khan where Spock explains this principle:
In this second clip from YouTube, a fan has edited down all of the film’s discussion of the principle of utility down to 9 1/2 minutes. A great way to see this philosophical principle applied in popular culture. (This clip comes and goes in terms of availability. As of October 2014, it was available.)
So I made a bit of a joke about punk polka as long-tail content in my book Mass Communication: Living in a Media World. But it’s only partially a joke. Punk polka actually (well, sorta) exists.
Here’s a story from the Washington Post about the polka scene in Chicago that mentions punk polka. And here are a couple of videos featuring the genre:
Punk Polka by The Toons
And as long as we are being off-beat, here’s a polka version of techno band Kraftwerk’s Das Model