Jeremy Lin – Can race-based humor not be racist?

A blog by sudden NBA star Jeremy Lin as a 15-year-old has grabbed online attention today.  There’s several things interesting about it.

According to sports blog Deadspin, Lin’s teenage blog was under the address: chiNkBaLLa88.xanga.com.  (You can follow the link, but it’s now been made password protected.  You won’t get in.)  As is typical, you can use offensive racial terms if they apply to yourself.

On his blog, Lin gave his photo impressions of several NBA players using his hair and a headband. Among these was one where he puts the headband on top of his head like a yarmulke to capture the stylings of Dallas Mavs player Josh Howard.

Jeremy Lin's NBA impressions from when he was 15.

The blog BuzzFeed then asked the Anti-Defamation League whether they found Lin’s photo and humor offensive.  Their reponse?  “Not in the least.”

This makes sense on a number of levels.  Lin was clearly mocking the style of a wide range of players in a wide range of ways, sometimes at the expense of himself.

What do you think?  Can we have online humor about race without it being racist?  Does the context matter?  And at a deeper level, how long will we be responsible for what we did online when we were 15 years old?  (Fortunately, that’s not one I have to worry about.)

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Link Ch. 4 – A Million Little Memoir Fabrications

Reprinted from my blog from January 27, 2006:

A Million Little Problems Dept. – Fall Out From James Frey’s Fabrications
A week or so ago I ran a guest commentary by my colleague John Temple about his outrage at the apparent fabrications in James Frey’s memoir A Million Little Pieces. I have to admit that prior to seeing his comments, I had given little thought to the book. Drug memoirs (other than Hunter Thompson’s Fear and Loathing in Las Vegas) hold little appeal to me. But over the last couple of weeks there has been a firestorm of criticism of Frey for either grossly exaggerating or outright fabricating what happened to him as an alcoholic and drug addict. Criticism seems to be particularly harsh because fans of the book feel betrayed by Frey and the emotions he brought out in them with what they thought was a true story.

No reader has been more public in her upset than media maven Oprah Winfrey, who had featured Frey on her book club. In the days immediately following the charges against Frey, Oprah stood by the author based on assurances that the book had only a few minor exaggerations. But Thursday she had Frey back on her show and let him have it with both barrels.

Here’s a brief excerpt from that interview:

While Frey’s major outing came from The Smoking Gun, a few critics had raised questions about the book’s authenticity when it was first released in 2003. The best example comes from the Minneapolis Star Tribune, which addressed the issues in an article from July of 2003. The StTrib took on the issue largely because the rehab clinic Frey was treated at is located in the Minneapolis area. Frey’s story made the famous Hazelden Clinic look very bad, and the clinic has been fighting the image ever since.

One of the most interesting stories I’ve heard on the Frey case comes from NPR’s On The Media. In the interview, Brooke Gladstone talks with Andrew Goldberg of TSG, and book critic Adam Kirsch. The issue is not so much why Frey lied, but what why the book industry publishes a book that raises these kinds of questions.

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Link Ch. 4 – Apple’s e-textbook system

In January of 2012, Apple announced a collection of software to create and use e-textbooks on the iPad.  USA Today’s Edward C. Baig demonstrates it:

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Link Ch. 4 – Meet Amanda Hocking

Meet Amanda Hocking, the indie author sensation who now has a contract with St. Martin’s Press.

Storyseller – A profile of author Amanda Hocking in the New York Times Sunday Magazine.

Interview with KTTC TV

Interview with the Associated Press

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Link Ch. 4 – Threats against authors

Although the story about death threats against author Salman Rushdie are relatively well known, many other authors around the world face threats of death or injury as well:

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Link Ch. 7 – Bringing Together Hillbilly and Rhythm & Blues

In Living in a Media World, I talk about how rock ‘n’ roll got started by bringing together white hillbilly (or country) music and and black rhythm & blues. I was reminded of that this weekend with the sad news about the death of R&B and pop superstar Whitney Houston.  One of her big hits was “I’ll Always Love You” from her movie The Bodyguard.  But what you may not know is that Whitney’s version was a cover of a country song.  “I’ll Always Love You” is a Dolly Parton original that she added to the movie version of the musical The Best Little Whorehouse in Texas.  And while I generally don’t approve of new songs being added to movie versions of Broadway musicals, I’ll make an exception in this case.  Here’s both Miss Dolly and Miss Whitney’s version of this great song:

Dolly Parton – Live 2002

Whitney Houston –  1999

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Link Ch. 5 – Meet Editor Bonnie Fuller

For the last 20 years, editor Bonnie Fuller has been a driving force in the world of popular magazines.  In this video, she talks about how she got involved with magazine editing:

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Link Ch. 5 – State of the News Media: Magazines

Here is a collection of State of the News Media reports about the magazine industry:

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Link Ch. 5 – Beauty, Size & Age Part IV: A Very Special Issue

One issue that has stayed in my book Mass Communication: Living in a Media World has been the issue of beauty, size and age in magazine advertisements and editorial content. While the previous three posts date back a couple of years, here is an update of stories about “plus size,” “curvy,” or “love your body” models:

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Link Ch. 5 – Beauty, Size & Age Part III: Kelly Clarkson & Self Magazine

One issue that has stayed in my book Mass Communication: Living in a Media World has been the issue of beauty, size and age in magazine advertisements and editorial content.  Here is the third of three posts that look these issues over the years that I originally wrote back in 2009.

Is There In Truth No Beauty? Part III

Clarkson Self CoverSelf magazine has had it’s own controversy over the honesty of their portrayal of how women look – specifically singer Kelly Clarkson. The American Idol star was featured on the September 2009 cover of the magazine where her image went through the usual digital retouching for color correction and the like. The photo editor also added in a few digital hair extensions, and while he or she was at it, slimmed Clarkson down considerably. Usually such changes are met with denials or statements that there were only minimal changes made. But Self editor-in-chief Lucy Danziger said that when it comes to magazine cover shoots, editors should do whatever it takes to make the cover model look her best. Even if that means changing her body digitally. Danziger writes in her blog:

Portraits like the one we take each month for the cover of SELF are not supposed to be unedited or a true-to-life snapshot (more on that in a moment). When the cover girl arrives at the shoot, she is usually unmade up and casually dressed, and could be mistaken for a member of the crew or the editorial team in many cases. Once we do her makeup and hair, and dress her in beautifully styled outfits and then light her, we then set the best portrait photographer we can on a road to finding a pose and capturing a moment that shows her at her best…

Then we edit the film and choose the best pictures. This is done in tandem with the star; the creative director, Cindy Searight; the photographer; and myself. Then we allow the postproduction process to happen, where we mark up the photograph to correct any awkward wrinkles in the blouse, flyaway hair and other things that might detract from the beauty of the shot. This is art, creativity and collaboration. It’s not, as in a news photograph, journalism. It is, however, meant to inspire women to want to be their best. That is the point.

Did we alter her appearance? Only to make her look her personal best. Did we publish an act of fiction? No. Not unless you think all photos are that. But in the sense that Kelly is the picture of confidence, and she truly is, then I think this photo is the truest we have ever put out there on the newsstand. I love her spirit and her music and her personality that comes through in our interview in SELF. She is happy in her own skin, and she is confident in her music, her writing, her singing, her performing.

The Today Show also did a story on the Clarkson Self cover. You can view it here:

Usually when we talk about the ethics of digital photo editing, we’re getting at the honesty and authenticity of the image. But in the case of the Clarkson cover, the question is more what kind of message is the magazine sending to its readers. The Clarkson story was about “Total Body Confidence,” but the cover image seems to say that how you really look isn’t good enough.

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