Sulzberger Has Been Promising for 11 Years To End Printing of NY Times

Mediaite reports today that NY Times publisher and chairman Arthur Sulzberger Jr. has announced that “We will stop printing the New York Times Sometime in the Future.”  He made the statement at the WAN-IFRA’s 9th International Newsroom Summit in London.

It matters that Sulzberger just said this. But is it news?  Not really.

Set the way back machine to February 2007.  There was a lot of buzz over the comments Sulzberger made at the World Economic Forum in Switzerland. He was quoted in the Israeli newspaper Haaretz as saying:

“I really don’t know whether we’ll be printing the Times in five years, and you know what? I don’t care either…. The Internet is a wonderful place to be, and we’re leading there.”

He went on to say that he really doesn’t view the Times as a local paper. Instead he sees it as a national paper that is based in New York, a paper that has more readers outside the city than within it.

Sulzberger’s comments were quoted everywhere from FishbowlDC to Eat The Press to the National Review’s Media Blog to Pajamas Media to Common Sense Journalism. (And a lot more places I’m not bothering to list…) (These links come from a post in 2007.  Don’t know if they all still work.)

But as I noted back in 2007, this was old news even then.

Sulzberger was part of an Advertising Ageroundtable back in September of 1999 in which he was asked about the future of theTimes. He answered:

“I don’t care how they get it 100 years from now. And the key is not caring.  It goes back to knowing the audience, and being, not ambivalent, but agnostic, rather.  Agnostic about the methods of distribution.  Because we can’t afford to be tied to any production process….  There will still be communities of interest.  There will still be a need, both socially and politically, for  common and shared experiences.”

Here’s the news: The publisher of the New York Times has realized for at least 11 years that he is no longer in the business of putting black ink on white paper and then selling it to people. Instead, the New York Times is in the news business and the ad sales business, and the NYT is going to keep delivering news and advertising in whatever forms it is profitable for them.

One more example of Truth 4 – Nothing’s new.  Everything that happens in the past will happen again.


Posted in Chapter 10, Chapter 6 | Tagged , | 1 Comment

Media News I Found On Twitter

Posted in Chapter 1, Chapter 11, Chapter 8 | Tagged , , , | Comments Off on Media News I Found On Twitter

Questions Worth Asking (Maybe)

Posted in Chapter 10, Chapter 11 | Tagged , , , | Comments Off on Questions Worth Asking (Maybe)

Comic Books, Copyrights and Changing Media

As I noted yesterday, comic writer Mark Waid upset the comic world over the weekend with his keynote speech at the Harvey Awards (for excellence in comics).  Although I cannot find a transcript or video of his speech at the Baltimore Comic-Con, he apparently set off a firestorm of controversy by pointing out (correctly) that one of the original functions of copyright law was to protect creative works for a limited period of time, after which it would move into the public domain.  Today, copyright law seems to designed to keep creative works out of the public domain almost indefinitely.

Waid went on to say that scanning and file sharing are now facts of life and that comic artists have to come to terms with that.  As he pointed out in a rather emphatic Tweet, “I never said filesharing was okay; I said we can’t stop it, so let’s find ways to make it work FOR us.”

Today, the talk about Waid’s speech continued, with Harvey Award winner Scott Kurtz (who writes and draws the brilliant Player v. Player webcomic) weighing in with both a great comic and an extended blog post.  Kurtz’s comments are of particular value here because he was actually at the event and heard Waid’s speech.  (Kurtz was the master of ceremonies.)  In his post, Kurtz writes:

Mark’s speech reminded everyone that copyright was invented to limit the amount of time that a family or estate could lay claim to an idea after the death of that idea’s creator. That it was not created to protect the creator or ensure that their family line could forever control their intellectual property. He suggested that contributing to the greater culture is something artists should consider as important (maybe more important) than making a living as an artist. And then he made the boldest statement of the evening by suggesting that the file-sharing genie was out of the bottle and rather than spend fruitless hours trying to get it back in, we should all just stop being afraid of this new culture and instead embrace it and try to harness its power.

I’m spending a lot of space here on a topic that many of you may not care much about – comics in all their many forms – but I think this debate is really important.

The recording industry responded to the file sharing crisis by trying to sue some of its best customers.  The movie industry sells us plastic discs that make it almost impossible to get to the start of the movie without first watching 10 minutes of commercials (and this is after we’ve spent $20 on the product!).  Newspaper and magazine publishers are desperately trying to figure out how to get compensated for what they are putting out on the web.

And yet… There are a few out there who seem to be doing well in this new media environment – ranging from the very small to the very big.

On the small side, web comic artist Jeph Jacques is making a good living for himself with the comic Questionable Content (one of my all-time faves).  In February of 2009, he posted an extended essay on web comic economics that I think really gets at what is happening in the media industry these days. It is his response to traditional comic artist Neil Swab, who blogged about how web comic artists make the money by selling merchandise rather than selling the comics to media.  There was some rather hot debate sparked by Mr. Swab’s post, and he has since apologized and taken down the post. I’m sorry he did so because he raised a lot of issues that people who publish through the web have to confront. Mr. Jacques wrote a thoughtful, passionate, and somewhat profane response to Mr. Swab, and I would encourage all of you to read the entire essay.

On the big side, News Corp. founder and CEO Rupert Murdoch reacted to the rise of social media by purchasing the web site MySpace.  Now whether it was worth what he paid for it is open to debate, but his reaction, unlike so much of Big Media, was to embrace the new technology rather than hide from it.  He has embraced selling his media content over the Internet and moving into the world of apps.

Tomorrow, Apple is set to announce new iPods and most likely a new incarnation of the Apple TV box.  Apple is expected to also be announcing 99-cent rentals of TV programs to stream to the box.  One company that will likely be on Apple TV on launch day is Rupert Murdoch’s Fox television empire.  Murdoch has reportedly said he will make a six-month commitment to the new platform to see how it works.  The only other network to signal agreement is Disney, and Disney has no choice with Apple CEO Steve Jobs being its largest stockholder.

What we are seeing with all of this are a couple of the Seven Truths coming into big play:

  • Truth Four – Nothing’s new: Everything that happens in the past will happen again.
  • Truth Five – New media are always scary.

The media industry at a range of levels really wants to keep on living in the past.  But that’s not going to work in this rapidly changing media world.

Posted in Chapter 1, Chapter 10, Chapter 13, Chapter 4 | Tagged , , , , , | Comments Off on Comic Books, Copyrights and Changing Media

I Discovered Tech Dirt Last Week

I discovered the blog Tech Dirt last week, and I find that I’m getting a huge amount of materials for my Twitter feed from there.  (You are following me on Twitter, aren’t you?) Tech Dirt deals with stories on “government policy, technology and legal issues that affect companies ability to innovate and grow.”  I think it’s a great source of information on copyright and intellectual property.  Here’s a sampling of recent material from the site:

  • Comic book writer Mark Waid defends copying, points to the value of the public domain.
  • Blockbuster’s Chapter 11 bankruptcy filing shows that just being big and old doesn’t mean you can dominate the market. (Think about it, Blockbuster should have been able to hold off newcomer Netflix.  But it wasn’t even close…)
  • Why does the NY Times rely so often on single anecdote trend pieces not supported by the data?
  • Yes, the DMCA is still quite controversial.  That’s the Digital Millennium Copyright Act.  And it’s been a hot issue ever since it was passed back in 1998 because it cut back on fair use provisions of digital media.  A great round up of material on this law.

As you can see, these posts come from blog with a lot of intelligence, a modest amount of snark, and that is not in the bag for Big Media.

Posted in Chapter 13, Chapter 3, Chapter 6 | Tagged , | 2 Comments

Community Journalism in the 21st Century

This entry was originally posted to the Community Journalism Interest Group (COMJIG) blog.

This morning I was preparing for class discussion in my reporting capstone class, in which we’re going to be working on community-level coverage of school finance issues. I was working on definitions of community and community journalism, and looking at how community newspapers are doing compared to the newspaper business as a whole.

As I was doing this, an e-mail came in from my friend Howard, who works as a city planner in a suburb north of Atlanta. He writes:

We have several ‘neighborhood news’ type newspapers that publish around the county and region. Recently, we’ve had inquiries from some of them wanting to bid out the opportunity to be our legal ad provider. Actual competition to be our “newspaper of general circulation!”

I find it interesting that these little mom & pop deals are cropping up all over, and seemingly expanding in the case of the SandySprings Neighbor, when it would seem print news in general is dying on the vine, or has been dying lately, anyway.

I don’t know that I would agree with his “dying on the vine” comment, but I certainly understand Howard’s point of view.

But Howard’s note reminds of a couple of key issues we all need to think about:

  • First, it is not particularly useful to talk about the “newspaper industry” as a whole, as though the New York Times, the New Orleans Times-Picayune, Phoenix New Times, and New Prague Times were all the same kind of thing. They are all very different in terms of what their goals are, how they operate, and how much money is involved.
  • Second, I find it fascinating that my friend and I, each in different positions with different concerns, were both thinking about the role of community newspapers in the 21st century.
Posted in Chapter 6 | Tagged , | Comments Off on Community Journalism in the 21st Century

Atlantic Looks at 10 Reading Revolutions

E-books are getting all the attention in publishing news lately:  Amazon claims to be selling a lot of the great Kindle 3… Amazon is selling a lot more e-books than Apple…  Apple is looking to add ads to e-books … and so it goes.

But while e-books are clearly on the ascendancy right now, they are only the most recent recent development in more than three millennia of writing an publishing.  The Atlantic has published a great story on its website discussing “10 Reading Revolutions Before E-Books.”  The article goes into some depth, but here are the high points:

  1. The phrase “reading revolution” was popularized by German historian Rolf Engelsing to describe the movement in the 18th century from reading a few texts intensively to the extensive reading of many texts.
  2. The “print revolution” came from Gutenberg’s introduction of moveable type in the 1450s.   Andrew Pettegree has a new history of the early days of publishing called The Book in the Renaissance.
  3. While there are many developments in the early history of writing, the development of the phonetic alphabet stands out.  Phonetic alphabets were the first form of writing that connected the written language to the spoken form of the language.
  4. If we go back before Gutenberg, the big revolution in books was the change from the rolled scroll to the folded codex.  The codex would be recognized as a book to modern folk.  They were easier to carry than scrolls and allowed for close to random access to the text within.
  5. The change from scroll to codex was enabled by the evolution of writing surfaces from papyrus to parchment to paper. (And from rock walls to clay tablets to papyrus…)
  6. Reading became popular and affordable when the industrial revolution brought steam power to printing.  This, along with inexpensive woodpulp paper, made books, magazines and newspapers much cheaper.
  7. The electronic age has transformed reading by merging it with audiovisual media.
  8. The development and expansion of computers moved us from paper to screens.
  9. Writing has moved from media that persist in time into media that are easy to move through space.  This is based on the work of Canadian railroad economist Harold Innis, who argued that all media have two competing biases – longevity v. portability.  He argues that culture is shaped by these two biases or characteristics.  He writes that the development of parchment allowed Caesar to control his armies at a distance through written orders and decrees in a way that he never could have when writing was distributed on clay tablets.   In my opinion, Innis’s ideas deserve far more attention than they typically receive.  I was pleased to find this one on the list.
  10. Here is the strangest one, though it’s fascinating.  We have moved from writing that is consumed upright (i.e. vertical) such as writing on walls,  to writing that is horizontal – scrolls on sloping desks or books read in bed, back to writing that is vertical on screens.  This is built on the ideas of Walter Benjamin.  Don’t know what I make of this one.

Again, I can’t recommend this article highly enough.  Fascinating reading.

Posted in Chapter 4 | Tagged , | Comments Off on Atlantic Looks at 10 Reading Revolutions

Chapter 3 Links

Chapter 3. The Media Business: Consolidation, Globalization, and the Long Tail

Ken Auletta and Media Synergy (pg. 83-84)

Who Owns What (pg. 80-101)
Want an up-to-date list of what all of the major media companies own or control? Columbia Journalism Review’s Who Owns What site is perhaps the most informative of the group, giving detailed, up-to-date information about the top six media companies, and many of the slightly smaller ones as well.

Time Warner (pg. 82-86)
You know the various Time Warner media sites, but here is the company’s corporate site. This site contains a mixture of corporate news, financial data, and previews of upcoming Time Warner products.

Disney (pg. 86-89)
Go beyond Mickey Mouse for the inside look at the Disney Corporation. Disney is somewhat unusual in that it doesn’t separate it’s corporate site from it’s content promotion site, though Disney as a brand is much more significant and known to the public than any of the other major media companies. Disney has an well-developed internship program that many business and journalism majors will be interested in.

News Corporation (pg. 90-92)
Rupert Murdoch’s News Corporation is truly global in scope, as the brand logos on the News Corp. homepage so clearly illustrate. The News Corporation site has links to the company’s various properties ranging from the racy London tabloid the Sun (Check out Page 3 on the Sun if you’re curious; I won’t give you the link. What you see there will be NSFW), to the Fox broadcasting services. News Corporation also owns the Wall Street Journal, one of the most important newspapers in the United States.

Viacom & CBS (pg. 93-95)
Get the latest on the business side of MTV and Nickelodeon. Along with the standard business information, there is a fascinating page here that lays out all of the Viacom properties. (You can see the CBS properties here.) It provides a wonderful illustration of the range of media controlled by one company. Viacom and CBS trade as separate stocks these days, but the two companies have essentially the same ownership.

Bertelsmann (pg. 95-97)
Chances are very good that most of you will not be familiar with Bertelsmann as a company, though you read their books, watch their television shows, and listen to music they publish. As of 2010, Bertelsmann was 175 years old.

General Electric/NBC-Universal (pg. 97-100)
Cable giant Comcast and NBC Universal have announced their $30 billion merger. Comcast will buy 51 percent of the broadcast network/movie studio from General Electric, which will remain a minority owner of the NBCU for the time being. The merger/acquisition will create a media giant. As you read about all of this, keep in mind the following issues:

  • Comcast is the nation’s largest cable and and Internet service provide, serving 25 percent of U.S. homes.
  • Overall, Comcast would own more than 20 percent of all television viewing hours. NBCU owns the Telemundo Spanish-language broadcast network, and cable channels USA, CNBC, MSNBC, SyFy, Bravo, Oxygen, and my personal fave – The Weather Channel. Comcast already owns E! Entertainment Television, Versus, Style, the Golf Channel, and the Major League Baseball channel.
  • The merger may result in the most popular television programs being put behind a paywall on the Internet.
  • Mergers of pipeline providers and content providers don’t always work out.

Revenue and American Idol (pg. 99-100)
Get the full, in-depth story from MSNBC

The Long Tail (pg. 101-107)


Posted in Chapter 3 | Tagged | Comments Off on Chapter 3 Links

Media are Evolving – Part II

Yesterday I posted a blog entry about how old media are changing to respond to new technology and new demands from audiences.  Today, I’ve got a couple of followups to these stories:

  • Wired’s Chris Anderson discusses “Web is Dead”
    Chris Anderson, co-author of the much talked about “The Web is Dead” article, discusses what the story really is saying with On The Media’s Bob Garfield.  Read or take a listen to this.
  • In the living room, hooked on PayTV
    The NY Times looks at why people are not dropping their cable television subscriptions and making the switch to Internet video.  Simple summary? Cable is easy, online video is hard.  Perhaps the game changing Internet video device has yet to arrive.
Posted in Chapter 1, Chapter 10, Chapter 9 | Tagged , , , | Comments Off on Media are Evolving – Part II

New Media Are Scary Dept. – Media Are Evolving, Not Going Extinct

We get a lot of proclamations about the future of media, many of which involve the death of one particular medium or another.  For example, a week or two ago Wired magazine ran a story proclaiming that “The Web is Dead.”  The article title is deliberately provocative, designed to get as many people buzzing about it as possible. (You doubt me?  Check out the new “True Blood” cover of Rolling Stone magazine.) The article itself, co-authored by Chris Anderson and Michael Wolff, is not really as inflammatory as it seems at first glance.  It simply makes the point that the Internet is making the move towards mobile devices, and these devices often depend more on custom apps rather than a general purpose browser for delivering content.

But as good magazine articles generally do, behind all the bluster there’s an interesting premise, which is not so much that the Web (or the Internet) is dying, but rather that it is changing.

And that’s the premise of this interesting article from the NY Times – how old media don’t so much die as evolve into something new.  The casualties, writer Steve Lohr notes, are more means of distribution than content.  He quote Nicholas Neroponte, founder of the MIT Media Lab as saying, “Text is not going away, nor is reading.  Paper is going away.”

Posted in Chapter 1, Chapter 10 | Tagged , , , | Comments Off on New Media Are Scary Dept. – Media Are Evolving, Not Going Extinct